South Korean Yearly Box Office
Data as of May 11, 11:42 PDT
| Year | Total Gross | %± LY | Releases | Average | #1 Release |
|---|---|---|---|---|---|
| 2025 | $150,874,081 | - | 134 | $1,125,925 | Mickey 17 |
| 2024 | $824,932,688 | -8.7% | 340 | $2,426,272 | Exhuma |
| 2023 | $903,802,203 | -0.5% | 363 | $2,489,813 | 12.12: The Day |
| 2022 | $907,943,327 | +68.3% | 356 | $2,550,402 | Avatar: The Way of Water |
| 2021 | $539,498,918 | -6.2% | 354 | $1,524,008 | Spider-Man: No Way Home |
| 2020 | $574,915,230 | -61.7% | 343 | $1,676,137 | Avengers: Endgame |
| 2019 | $1,500,253,088 | -1.8% | 442 | $3,394,237 | Extreme Job |
| 2018 | $1,528,242,939 | -1.5% | 463 | $3,300,740 | Along With the Gods: The Last 49 Days |
| 2017 | $1,550,927,706 | +13% | 416 | $3,728,191 | Along With the Gods: The Two Worlds |
| 2016 | $1,372,808,372 | +7.5% | 413 | $3,323,991 | Train to Busan |
| 2015 | $1,277,518,646 | -14% | 245 | $5,214,361 | Veteran |
| 2014 | $1,486,273,219 | +8.6% | 186 | $7,990,716 | The Admiral: Roaring Currents |
| 2013 | $1,368,850,554 | +12.6% | 185 | $7,399,192 | Miracle in Cell No. 7 |
| 2012 | $1,215,516,617 | +11.2% | 178 | $6,828,745 | The Thieves |
| 2011 | $1,093,310,079 | +16.6% | 297 | $3,681,178 | Transformers: Dark of the Moon |
| 2010 | $937,341,678 | +1.1% | 369 | $2,540,221 | The Man from Nowhere |
| 2009 | $927,312,528 | +2.5% | 358 | $2,590,258 | Avatar |
| 2008 | $905,022,339 | -9.8% | 461 | $1,963,172 | Scandal Makers |
| 2007 | $1,003,143,367 | +19.2% | 464 | $2,161,946 | Dragon Wars: D-War |
| 2006 | $841,488,790 | -3.4% | 267 | $3,151,643 | The Host |
| 2005 | $871,147,315 | +260% | 181 | $4,812,968 | The King and the Clown |
| 2004 | $241,971,081 | +89.7% | 70 | $3,456,729 | Troy |
| 2003 | $127,550,568 | -76.8% | 50 | $2,551,011 | The Lord of the Rings: The Return of the King |
| 2002 | $549,720,041 | +1,369.9% | 149 | $3,689,396 | Family Honor |
| 2001 | $37,398,201 | +15.1% | 11 | $3,399,836 | The Mummy Returns |
| 2000 | $32,496,246 | - | 8 | $4,062,030 | Gladiator |
This chart only reflects 98 percent of total screens in South Korea.
