Adjuster:

Weekend Box Office


October 4-6, 2019
Weekend


<<Last Weekend <Last YearView Index: By Year | By WeekendNext Weekend>>
Est. / Act.DiffMovie Title (click to view)StudioStudio Est. / ActualDiff% DiffTheatersEst. TotalActualWk
1 1 - Joker (2019) WB $93,500,000 $96,202,337 $+2,702,337 +2.9% 4,374 $93,500,000 $96,202,337 1
2 2 - Abominable Uni. $12,000,000 $11,921,855 $-78,145 -0.7% 4,248 $37,833,115 $37,754,970 2
3 3 - Downton Abbey Focus $8,000,000 $7,989,920 $-10,080 -0.1% 3,548 $73,626,935 $73,616,855 3
4 4 - Hustlers STX $6,300,000 $6,393,824 $+93,824 +1.5% 3,030 $91,321,880 $91,415,704 4
5 5 - It: Chapter Two WB (NL) $5,355,000 $5,317,529 $-37,471 -0.7% 3,163 $202,205,157 $202,167,686 5
6 7 +1 Ad Astra Fox $4,557,000 $4,191,582 $-365,418 -8.0% 2,910 $43,662,768 $43,297,350 3
7 6 -1 Judy RAtt. $4,445,635 $4,598,671 $+153,036 +3.4% 1,458 $8,904,078 $9,057,114 2
8 8 - Rambo: Last Blood LGF $3,550,000 $3,599,858 $+49,858 +1.4% 2,900 $39,823,895 $39,873,753 3
9 9 - War (2019) Yash $1,581,000 $1,607,627 $+26,627 +1.7% 305 $2,088,290 $2,114,917 1
10 10 - Good Boys Uni. $900,000 $890,095 $-9,905 -1.1% 1,006 $82,042,620 $82,032,715 8
11 11 - My People, My Country CMC $865,000 $876,001 $+11,001 +1.3% 67 $865,000 $1,553,517 1
12 12 - The Lion King (2019) BV $693,000 $685,089 $-7,911 -1.1% 1,034 $541,289,057 $541,281,146 12
13 13 - Angel has Fallen LGF $565,000 $554,703 $-10,297 -1.8% 831 $68,310,715 $68,300,418 7
14 14 - Fast & Furious Presents: Hobbs & Shaw Uni. $540,000 $550,030 $+10,030 +1.9% 682 $173,099,340 $173,109,370 10
15 15 - The Peanut Butter Falcon RAtt. $495,251 $479,024 $-16,227 -3.3% 623 $18,993,180 $18,976,953 9
16 16 - Scary Stories to Tell in the Dark LGF $477,000 $471,848 $-5,152 -1.1% 577 $67,517,726 $67,512,574 9
17 17 - Overcomer Affirm $415,000 $420,873 $+5,873 +1.4% 672 $33,915,991 $33,921,864 7
18 18 - Dora and the Lost City of Gold Par. $325,000 $345,250 $+20,250 +6.2% 481 $59,983,756 $60,003,106 9
19 19 - Linda Ronstadt: The Sound of My Voice Greenwich $299,346 $289,932 $-9,414 -3.1% 204 $2,806,813 $2,797,399 5
20 22 +2 Toy Story 4 BV $248,000 $231,433 $-16,567 -6.7% 243 $433,331,004 $433,314,437 16
21 24 +3 Brittany Runs a Marathon Amazon $194,586 $194,796 $+210 +0.1% 348 $6,860,707 $6,860,917 7
22 27 +5 Pain and Glory SPC $160,087 $152,636 $-7,451 -4.7% 4 $160,087 $215,491 1
23 31 +8 47 Meters Down: Uncaged ENTMP $100,000 $97,186 $-2,814 -2.8% 145 $22,114,827 $22,112,012 8
24 33 +9 Where's My Roy Cohn? SPC $83,435 $79,777 $-3,658 -4.4% 26 $225,832 $222,174 3
25 32 +7 Promare GK $81,925 $81,296 $-629 -0.8% 38 $1,243,762 $1,243,133 3
26 38 +12 Aladdin (2019) BV $63,000 $53,289 $-9,711 -15.4% 105 $355,476,228 $355,466,517 20
27 35 +8 First Love WGUSA $60,625 $56,478 $-4,147 -6.8% 40 $93,052 $89,994 2
28 36 +8 Official Secrets IFC $55,341 $55,093 $-248 -0.4% 100 $1,817,183 $1,818,035 6
29 37 +8 Lucy in the Sky FoxS $55,000 $54,058 $-942 -1.7% 37 $55,000 $54,058 1
30 34 +4 Ready or Not FoxS $54,000 $59,253 $+5,253 +9.7% 125 $28,614,104 $28,619,360 7
31 39 +8 The Art of Racing in the Rain Fox $52,000 $49,304 $-2,696 -5.2% 103 $26,252,078 $26,249,382 9
32 41 +9 The Farewell A24 $38,810 $38,090 $-720 -1.9% 40 $17,564,795 $17,559,378 13
33 45 +12 Monos Neon $35,100 $31,983 $-3,117 -8.9% 45 $287,950 $284,833 4
34 44 +10 Chhichhore FIP $35,000 $33,159 $-1,841 -5.3% 33 $1,992,134 $1,990,293 5
35 48 +13 Miles Davis: Birth of Cool Abr. $23,655 $26,370 $+2,715 +11.5% 17 $465,662 $468,377 7
36 50 +14 Honeyland Neon $17,000 $17,556 $+556 +3.3% 31 $650,019 $649,840 11
37 49 +12 Fantastic Fungi A23 $16,015 $17,690 $+1,675 +10.5% 3 $68,393 $70,068 3
38 56 +18 Britt-Marie Was Here Cohen $10,702 $11,009 $+307 +2.9% 11 $25,267 $25,575 3
39 61 +22 Tel Aviv on Fire Cohen $7,329 $7,693 $+364 +5.0% 9 $485,123 $485,486 10
40 68 +28 Luce Neon $5,325 $5,009 $-316 -5.9% 17 $2,008,307 $2,007,992 10
TOTALS:$146,260,167$148,739,206$+2,479,039+1.7%33,633 
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* Production Budget in millions. On average, studios earn around 55 percent of the final gross.

Note: Studio Estimates are the estimated weekend grosses that each distributor makes for its own movies on Sunday mornings—based on grosses for Friday and Saturday plus a projection for Sunday. This chart view shows how accurate the studios were.


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