Adjuster:

Weekend Box Office


April 12-14, 2019
Weekend


<<Last Weekend <Last YearView Index: By Year | By WeekendNext Weekend>>
Est. / Act.DiffMovie Title (click to view)StudioStudio Est. / ActualDiff% DiffTheatersEst. TotalActualWk
1 1 - Shazam! WB (NL) $25,140,000 $24,453,514 $-686,486 -2.7% 4,306 $94,913,013 $94,226,527 2
2 2 - Little Uni. $15,499,000 $15,405,455 $-93,545 -0.6% 2,667 $15,499,000 $15,405,455 1
3 3 - Hellboy (2019) LG/S $12,015,000 $12,045,147 $+30,147 +0.3% 3,303 $12,015,000 $12,045,147 1
4 4 - Pet Sematary (2019) Par. $10,000,000 $9,745,207 $-254,793 -2.5% 3,585 $41,121,660 $40,866,867 2
5 5 - Dumbo (2019) BV $9,186,000 $9,404,542 $+218,542 +2.4% 3,706 $89,945,162 $90,163,704 3
6 6 - Captain Marvel BV $8,626,000 $8,611,527 $-14,473 -0.2% 2,975 $386,536,581 $386,525,108 6
7 7 - Us Uni. $6,946,000 $6,810,365 $-135,635 -2.0% 2,768 $163,498,425 $163,362,790 4
8 8 - After (2019) Aviron $6,200,000 $6,002,349 $-197,651 -3.2% 2,138 $6,200,000 $6,002,349 1
9 9 - Missing Link UAR $5,841,434 $5,944,950 $+103,516 +1.8% 3,413 $5,841,434 $5,944,950 1
10 10 - The Best of Enemies STX $2,000,000 $2,014,126 $+14,126 +0.7% 1,705 $8,101,570 $8,115,696 2
11 11 - Unplanned PFR $1,800,000 $1,763,957 $-36,043 -2.0% 1,402 $15,830,305 $15,794,262 3
12 12 - Five Feet Apart LGF $1,550,000 $1,533,397 $-16,603 -1.1% 1,473 $43,911,394 $43,894,791 5
13 13 - Hotel Mumbai BST $868,876 $862,578 $-6,298 -0.7% 617 $8,030,084 $8,023,786 4
14 15 +1 The Mustang Focus $788,000 $773,295 $-14,705 -1.9% 527 $3,175,560 $3,159,855 5
15 14 -1 Wonder Park Par. $730,000 $802,323 $+72,323 +9.9% 1,172 $43,452,568 $43,524,891 5
16 16 - How to Train Your Dragon: The Hidden World Uni. $730,000 $746,055 $+16,055 +2.2% 822 $157,952,605 $157,968,660 8
17 18 +1 Amazing Grace (2019) Neon $372,288 $349,082 $-23,206 -6.2% 58 $612,244 $589,038 12
18 19 +1 Tyler Perry's A Madea Family Funeral LGF $350,000 $336,715 $-13,285 -3.8% 475 $72,735,430 $72,722,145 7
19 22 +3 Mia and the White Lion Ledafilms $238,903 $192,816 $-46,087 -19.3% 312 $238,903 $192,816 1
20 23 +3 High Life A24 $204,181 $179,886 $-24,295 -11.9% 32 $340,640 $316,345 2
21 24 +3 No Manches Frida 2 PNT $190,000 $177,949 $-12,051 -6.3% 135 $9,052,565 $9,040,514 5
22 25 +3 The Aftermath FoxS $160,000 $163,414 $+3,414 +2.1% 234 $1,430,397 $1,433,811 5
23 27 +4 Apollo 11 Neon $120,200 $125,082 $+4,882 +4.1% 126 $8,300,157 $8,305,039 7
24 28 +4 The Upside STX $110,000 $116,013 $+6,013 +5.5% 179 $108,018,182 $108,024,195 14
25 33 +8 Diane IFC $83,672 $70,480 $-13,192 -15.8% 64 $201,057 $187,865 3
25 37 +12 The Chaperone (2019) PBS $66,450 $59,398 $-7,052 -10.6% 34 $113,482 $106,430 3
27 41 +14 Mary Magdalene IFC $62,436 $46,646 $-15,790 -25.3% 62 $62,436 $46,646 1
26 36 +10 The Beach Bum Neon $61,680 $60,302 $-1,378 -2.2% 100 $3,341,497 $3,340,119 3
27 42 +15 Teen Spirit BST $44,361 $43,620 $-741 -1.7% 4 $44,361 $43,620 1
28 43 +15 Transit MBox $39,745 $42,643 $+2,898 +7.3% 47 $683,627 $686,525 7
29 45 +16 Her Smell G&S $39,058 $36,941 $-2,117 -5.4% 3 $39,058 $36,941 1
30 47 +17 Peterloo Amazon $33,939 $32,498 $-1,441 -4.2% 32 $66,020 $64,579 2
31 49 +18 Wild Nights With Emily Greenwich $33,000 $30,209 $-2,791 -8.5% 3 $33,000 $30,209 1
32 52 +20 Ash is Purest White Cohen $28,894 $26,474 $-2,420 -8.4% 24 $355,062 $352,640 5
35 51 +16 Long Day's Journey Into Night (2019) KL $27,896 $26,746 $-1,150 -4.1% 3 $27,896 $55,174 1
34 58 +24 Sunset (2019) SPC $13,600 $12,887 $-713 -5.2% 18 $87,197 $86,484 4
35 56 +21 Never Look Away SPC $13,500 $13,715 $+215 +1.6% 16 $1,205,902 $1,206,117 20
39 74 +35 The Hummingbird Project Orch. $6,225 $5,413 $-812 -13.0% 19 $367,746 $366,934 5
36 77 +41 Storm Boy Good Deed $2,887 $4,155 $+1,268 +43.9% 17 $66,424 $67,728 2
41 87 +46 Birds of Passage Orch. $2,081 $2,171 $+90 +4.3% 9 $501,036 $501,126 9
TOTALS:$110,225,306$109,074,042$-1,151,264-1.0%38,585 
<<Last Weekend <Last YearView Index: By Year | By WeekendNext Weekend>>

* Production Budget in millions. On average, studios earn around 55 percent of the final gross.

Note: Studio Estimates are the estimated weekend grosses that each distributor makes for its own movies on Sunday mornings—based on grosses for Friday and Saturday plus a projection for Sunday. This chart view shows how accurate the studios were.


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