Adjuster:

Weekend Box Office


October 26-28, 2018
Weekend


<<Last Weekend <Last YearView Index: By Year | By WeekendNext Weekend>>
Est. / Act.DiffMovie Title (click to view)StudioStudio Est. / ActualDiff% DiffTheatersEst. TotalActualWk
1 1 - Halloween (2018) Uni. $32,045,000 $31,419,070 $-625,930 -2.0% 3,990 $126,698,400 $126,075,470 2
2 2 - A Star is Born (2018) WB $14,145,000 $14,037,079 $-107,921 -0.8% 3,904 $148,722,400 $148,614,479 4
3 3 - Venom (2018) Sony $10,800,000 $10,652,381 $-147,619 -1.4% 3,567 $187,282,314 $187,134,695 4
4 4 - Goosebumps 2: Haunted Halloween Sony $7,500,000 $7,284,207 $-215,793 -2.9% 3,723 $38,348,809 $38,133,016 3
5 5 - Hunter Killer LG/S $6,650,000 $6,653,777 $+3,777 +0.1% 2,728 $6,650,000 $6,653,777 1
6 6 - The Hate U Give Fox $5,100,000 $5,101,859 $+1,859 +0.0% 2,375 $18,300,005 $18,301,864 4
7 7 - First Man Uni. $4,935,000 $4,865,575 $-69,425 -1.4% 2,959 $37,880,080 $37,808,655 3
8 8 - Smallfoot WB $4,750,000 $4,761,614 $+11,614 +0.2% 2,662 $72,591,050 $72,602,664 5
9 9 - Night School (2018) Uni. $3,255,000 $3,236,025 $-18,975 -0.6% 1,991 $71,451,025 $71,433,050 5
10 10 - Mid90s A24 $3,000,000 $2,980,505 $-19,495 -0.6% 1,206 $3,350,170 $3,330,676 2
11 11 - The Old Man & the Gun FoxS $1,800,000 $1,763,032 $-36,968 -2.1% 1,042 $7,214,097 $7,177,129 5
12 12 - Johnny English Strikes Again Uni. $1,626,000 $1,638,895 $+12,895 +0.8% 544 $1,626,000 $1,638,895 1
13 13 - Indivisible PFR $1,575,000 $1,503,101 $-71,899 -4.6% 830 $1,575,000 $1,503,101 1
14 14 - Bad Times At The El Royale Fox $1,400,000 $1,354,507 $-45,493 -3.2% 1,798 $16,593,736 $16,548,243 3
15 15 - Free Solo NGE $1,061,659 $1,146,416 $+84,757 +8.0% 392 $5,177,991 $5,268,397 5
16 16 - The House With A Clock In Its Walls Uni. $1,045,000 $1,050,965 $+5,965 +0.6% 1,042 $66,519,015 $66,523,980 6
17 17 - Beautiful Boy (2018) Amazon $592,897 $653,618 $+60,721 +10.2% 192 $1,435,094 $1,495,815 3
18 18 - Gosnell: The Trial of America's Biggest Serial Killer GVN $389,167 $390,412 $+1,245 +0.3% 467 $3,206,391 $3,207,636 3
18 19 +1 Can You Ever Forgive Me? FoxS $380,000 $356,365 $-23,635 -6.2% 25 $610,139 $586,504 2
19 21 +2 Colette BST $327,636 $331,764 $+4,128 +1.3% 235 $4,424,118 $4,411,936 6
20 22 +2 The Sisters Brothers Annapurna $271,051 $278,498 $+7,447 +2.7% 774 $2,742,097 $2,749,543 6
21 23 +2 Suspiria Amazon $179,806 $184,037 $+4,231 +2.4% 2 $179,806 $184,037 1
22 24 +2 Hell Fest LGF $175,000 $174,047 $-953 -0.5% 907 $10,976,623 $10,975,670 5
23 27 +4 A Simple Favor LGF $135,000 $150,585 $+15,585 +11.5% 222 $53,210,320 $53,225,905 7
25 29 +4 Wildlife IFC $111,274 $107,560 $-3,714 -3.3% 18 $249,393 $245,680 2
24 35 +11 The Happy Prince SPC $80,604 $80,265 $-339 -0.4% 71 $224,329 $223,990 3
27 34 +7 Tea with the Dames IFC $80,056 $80,792 $+736 +0.9% 69 $576,452 $575,130 6
25 36 +11 The Wife SPC $78,476 $78,731 $+255 +0.3% 82 $7,608,251 $7,608,506 11
26 37 +11 Border Neon $71,565 $73,700 $+2,135 +3.0% 7 $71,565 $73,700 1
27 38 +11 What They Had BST $57,764 $60,514 $+2,750 +4.8% 25 $82,816 $85,565 2
28 40 +12 Peppermint STX $40,000 $44,958 $+4,958 +12.4% 88 $35,395,139 $35,400,097 8
29 46 +17 Burning WGUSA $28,650 $26,130 $-2,520 -8.8% 2 $28,650 $26,130 1
30 49 +19 The Price of Everything HBO $19,874 $18,987 $-887 -4.5% 8 $46,586 $45,699 2
34 51 +17 The Oath (2018) RAtt. $17,820 $17,861 $+41 +0.2% 92 $387,390 $387,431 3
35 52 +17 Viper Club RAtt. $14,094 $14,180 $+86 +0.6% 3 $14,094 $14,180 1
31 58 +27 Monsters and Men Neon $8,751 $8,722 $-29 -0.3% 10 $500,101 $500,101 5
32 56 +24 Matangi/Maya/M.I.A. Abr. $7,468 $11,309 $+3,841 +51.4% 6 $191,541 $196,382 5
33 68 +35 Monrovia, Indiana Zipp. $6,100 $5,172 $-928 -15.2% 1 $6,100 $5,172 1
37 95 +58 The Advocates CLS $1,458 $969 $-489 -33.5% 1 $10,012 $9,523 2
TOTALS:$103,762,170$102,598,184$-1,163,986-1.1%38,060 
<<Last Weekend <Last YearView Index: By Year | By WeekendNext Weekend>>

* Production Budget in millions. On average, studios earn around 55 percent of the final gross.

Note: Studio Estimates are the estimated weekend grosses that each distributor makes for its own movies on Sunday mornings—based on grosses for Friday and Saturday plus a projection for Sunday. This chart view shows how accurate the studios were.


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