South Korean Box Office For Weekend 23
Data as of Nov 5, 1:59 PST
| Year | Weekend | Top 10 Gross | %± LY | Overall Gross | %± LY | Releases | #1 Release |
|---|---|---|---|---|---|---|---|
| 2025 | Jun 6-8 | $9,134,684 | +51.3% | $9,428,847 | +45.8% | 39 | How to Train Your Dragon |
| 2024 | Jun 7-9 | $6,035,870 | -58.2% | $6,465,319 | -56.2% | 40 | Wonderland |
| 2023 | Jun 9-11 | $14,456,535 | -0.8% | $14,752,599 | +0.8% | 40 | The Roundup: No Way Out |
| 2022 | Jun 10-12 | $14,577,455 | +111.2% | $14,634,667 | +109.3% | 37 | The Roundup |
| 2021 | Jun 4-6 | $6,903,615 | +1,050.7% | $6,993,336 | +891.2% | 19 | The Conjuring: The Devil Made Me Do It |
| 2020 | Jun 5-7 | $599,934 | -97.8% | $705,520 | -97.4% | 28 | Underwater |
| 2019 | Jun 7-9 | $26,951,090 | +19% | $27,111,532 | +18.1% | 31 | Parasite |
| 2018 | Jun 8-10 | $22,649,679 | +40.4% | $22,951,751 | +39.9% | 42 | Jurassic World: Fallen Kingdom |
| 2017 | Jun 9-11 | $16,137,414 | -15% | $16,409,842 | -15.5% | 20 | The Mummy |
| 2016 | Jun 3-5 | $18,977,569 | +66.2% | $19,418,040 | +70.1% | 30 | The Handmaiden |
| 2015 | Jun 5-7 | $11,418,359 | -53.4% | $11,418,359 | -53.4% | 10 | San Andreas |
| 2014 | Jun 6-8 | $24,510,865 | +29.9% | $24,510,865 | +29.9% | 10 | Edge of Tomorrow |
| 2013 | Jun 7-9 | $18,867,721 | +33.4% | $18,867,721 | +33.4% | 10 | Secretly Greatly |
| 2012 | Jun 8-10 | $14,141,643 | +6.5% | $14,141,643 | +6% | 10 | The Concubine |
| 2011 | Jun 10-12 | $13,274,435 | +20.3% | $13,339,354 | +19.5% | 28 | Kung Fu Panda 2 |
| 2010 | Jun 4-6 | $11,031,310 | -4.7% | $11,165,951 | -4.3% | 30 | The Servant |
| 2009 | Jun 5-7 | $11,575,580 | -28.9% | $11,668,538 | -28.9% | 42 | Night at the Museum: Battle of the Smithsonian |
| 2008 | Jun 6-8 | $16,290,492 | - | $16,405,772 | - | 57 | Kung Fu Panda |
| 2006 | Jun 9-11 | $7,582,342 | -18.5% | $7,582,342 | -18.5% | 10 | Poseidon |
| 2005 | Jun 10-12 | $9,308,812 | - | $9,308,812 | - | 10 | Rules of Dating |
| 2002 | Jun 7-9 | $8,558,987 | - | $8,558,987 | - | 10 | Bet on My Disco |
This chart only reflects 98 percent of total screens in South Korea.
