South Korean Box Office For Weekend 20
Data as of Jul 21, 2:02 PDT
Year | Weekend | Top 10 Gross | %± LY | Overall Gross | %± LY | Releases | #1 Release |
---|---|---|---|---|---|---|---|
2025 | May 16-18 | $8,036,840 | -0.2% | $8,323,968 | +2.8% | 40 | Mission: Impossible - The Final Reckoning |
2024 | May 17-19 | $8,050,913 | -20.5% | $8,098,896 | -21.4% | 13 | The Roundup: Punishment |
2023 | May 19-21 | $10,125,729 | -58.5% | $10,310,219 | -57.9% | 29 | Fast X |
2022 | May 20-22 | $24,377,524 | +1,073.2% | $24,484,797 | +1,020.6% | 26 | The Roundup |
2021 | May 14-16 | $2,077,835 | +182.8% | $2,185,018 | +172.9% | 17 | Spiral |
2020 | May 15-17 | $734,857 | -95.6% | $800,734 | -95.3% | 26 | The Platform |
2019 | May 17-19 | $16,892,818 | -27.2% | $17,130,213 | -27.1% | 36 | The Gangster, the Cop, the Devil |
2018 | May 18-20 | $23,193,609 | +52.3% | $23,501,322 | +51.3% | 41 | Deadpool 2 |
2017 | May 19-21 | $15,224,175 | -24.6% | $15,535,377 | -23.8% | 35 | Get Out |
2016 | May 13-15 | $20,179,378 | +31.2% | $20,374,758 | +32.5% | 32 | The Wailing |
2015 | May 15-17 | $15,376,958 | +1.8% | $15,376,958 | +1.8% | 10 | Mad Max: Fury Road |
2014 | May 16-18 | $15,102,539 | -12.5% | $15,102,539 | -12.5% | 10 | Godzilla |
2013 | May 17-19 | $17,253,162 | +24.1% | $17,253,162 | +24.1% | 10 | Iron Man 3 |
2012 | May 18-20 | $13,899,235 | -14.2% | $13,899,235 | -14.9% | 10 | The Avengers |
2011 | May 20-22 | $16,198,742 | +44.5% | $16,334,486 | +44.2% | 32 | Pirates of the Caribbean: On Stranger Tides |
2010 | May 14-16 | $11,210,403 | +7.3% | $11,323,861 | +6% | 33 | The Housemaid |
2009 | May 15-17 | $10,444,556 | +19.2% | $10,678,607 | +20% | 38 | Angels & Demons |
2008 | May 16-18 | $8,764,554 | - | $8,899,008 | - | 64 | The Chronicles of Narnia: Prince Caspian |
2006 | May 19-21 | $11,615,649 | +29.3% | $11,615,649 | +29.3% | 10 | The Da Vinci Code |
2005 | May 20-22 | $8,986,667 | - | $8,986,667 | - | 10 | Antarctic Journal |
2002 | May 17-19 | $12,102,898 | - | $12,102,898 | - | 10 | Spider-Man |
This chart only reflects 98 percent of total screens in South Korea.