South Korean 2018 Weekend 20
May 17-20, 2018
Key:New This Week
| Rank | LW | Release | Gross | %± LW | Theaters | Change | Average | Total Gross | Weeks | Distributor |
|---|---|---|---|---|---|---|---|---|---|---|
| 1 | - | Deadpool 2 | $16,876,634 | - | 1,576 | - | $10,708 | $16,876,634 | 1 | 20th Century Fox International |
| 2 | 1 | Avengers: Infinity War | $2,485,826 | -64.3% | - | - | - | $89,002,709 | 4 | Walt Disney Pictures |
| 3 | - | Burning | $1,887,613 | - | 739 | - | $2,554 | $2,327,191 | 1 | N/A |
| 4 | - | Peter Rabbit | $777,149 | - | 599 | - | $1,297 | $816,350 | 1 | Sony Pictures Releasing |
| 5 | 2 | Love+Sling | $606,832 | -79.7% | 552 | -405 | $1,099 | $5,685,958 | 2 | N/A |
| 6 | - | Take Me to the Moon | $274,348 | - | 155 | - | $1,769 | $357,149 | 1 | N/A |
| 7 | - | Mazinger Z: INFINITY | $88,671 | - | 332 | - | $267 | $106,069 | 1 | N/A |
| 8 | 3 | Champion | $81,264 | -92.7% | 175 | -463 | $464 | $8,707,802 | 3 | N/A |
| 9 | - | Dinosaurs: Prehistoric Planet | $65,239 | - | 168 | - | $388 | $67,335 | 107 | N/A |
| 10 | 9 | Back to Burgundy | $50,033 | -37.2% | 38 | -16 | $1,316 | $305,980 | 3 | N/A |
| 11 | 7 | Dangal | $45,756 | -63.1% | 53 | -61 | $863 | $756,382 | 4 | N/A |
| 12 | - | Im-Eul Wi-Han Haeng-Jin-Gok | $35,706 | - | 160 | - | $223 | $104,418 | 1 | N/A |
| 13 | - | 5.18 Hinzpeter Story | $26,803 | - | 119 | - | $225 | $54,523 | 1 | N/A |
| 14 | 8 | Love, Chunibyo & Other Delusions the Movie: Take on Me | $26,691 | -68.8% | 52 | -61 | $513 | $164,931 | 2 | N/A |
| 15 | 6 | Ruby Sparks 2018 Re-release | $24,692 | -81.1% | 98 | -51 | $251 | $225,690 | 2 | N/A |
| 16 | - | The Trip to Spain | $23,912 | - | 59 | - | $405 | $37,101 | 1 | N/A |
| 17 | - | Land of Sorrow | $13,364 | - | 6 | - | $2,227 | $20,226 | - | N/A |
| 18 | 4 | The Incredible Story of the Giant Pear | $10,707 | -93.4% | 38 | -177 | $281 | $680,016 | 3 | N/A |
| 19 | 18 | Call Me by Your Name | $10,390 | -47.4% | 13 | -5 | $799 | $1,503,238 | 12 | Sony Pictures Releasing |
| 20 | - | The Young Karl Marx | $9,511 | - | 24 | - | $396 | $17,170 | 1 | N/A |
| 21 | 17 | Ethel & Ernest 2018 Re-release | $8,953 | -56.3% | 26 | -14 | $344 | $45,612 | 2 | N/A |
| 22 | 16 | Wonderstruck | $6,766 | -73.8% | 26 | -22 | $260 | $199,469 | 3 | CJ Entertainment |
| 23 | - | The Merciless | $6,628 | - | 1 | - | $6,628 | $7,105,655 | 53 | CJ Entertainment |
| 24 | 5 | Early Man | $6,361 | -95.4% | 20 | -292 | $318 | $845,438 | 3 | First Run |
| 25 | - | Believer | $6,231 | - | 4 | - | $1,557 | $35,442 | - | N/A |
| 26 | 12 | A Quiet Place | $5,823 | -84.2% | 15 | -33 | $388 | $4,279,603 | 6 | Paramount Pictures International |
| 27 | 10 | Intention | $5,567 | -86.4% | 14 | -105 | $397 | $4,107,019 | 6 | N/A |
| 28 | - | The Paris Opera | $4,947 | - | 21 | - | $235 | $10,665 | 1 | N/A |
| 29 | 13 | Borg vs. McEnroe | $4,506 | -85.9% | 15 | -112 | $300 | $65,187 | 2 | N/A |
| 30 | 21 | Bungo Stray Dogs: Dead Apple | $4,085 | -44.4% | 10 | -4 | $408 | $206,854 | 7 | N/A |
| 31 | 36 | Wonder | $3,606 | +2,072.3% | 1 | - | $3,606 | $1,828,252 | 21 | CJ Entertainment |
| 32 | 23 | Lady Bird | $3,433 | -45.9% | 6 | -3 | $572 | $746,113 | 7 | Universal Pictures International (UPI) |
| 33 | - | Samson | $3,041 | - | 3 | - | $1,013 | $13,252 | 5 | N/A |
| 34 | - | Singing with Angry Bird | $2,979 | - | 2 | - | $1,489 | $63,565 | 11 | N/A |
| 35 | 15 | The Sea of Trees 2018 Re-release | $2,347 | -91.7% | 9 | -89 | $260 | $52,177 | 2 | N/A |
| 36 | 20 | The Gateless Gate | $2,308 | -71% | 8 | -7 | $288 | $127,637 | 5 | N/A |
| 37 | - | Truth or Dare | $1,849 | - | 378 | - | $4 | $448,947 | - | Universal Pictures International (UPI) |
| 38 | 34 | Phantom Thread | $504 | -61.2% | 2 | -1 | $252 | $221,269 | 11 | Universal Pictures International (UPI) |
| 39 | 28 | Black Panther | $140 | -95.9% | - | - | - | $42,859,368 | 14 | Walt Disney Pictures |
| 40 | 37 | 12 Strong | $82 | -49.7% | - | - | - | $1,718,839 | 16 | Joyncontents Group |
| 41 | 35 | Mary Magdalene | $25 | -90.8% | 1 | - | $25 | $199,978 | 8 | Universal Pictures International (UPI) |
This chart only reflects 98 percent of total screens in South Korea.
