Argentinian 2012 Weekend 41
October 11-14, 2012
Key:New This Week
| Rank | LW | Release | Gross | %± LW | Theaters | Change | Average | Total Gross | Weeks | Distributor |
|---|---|---|---|---|---|---|---|---|---|---|
| 1 | 2 | Taken 2 | $702,901 | -34% | 102 | +15 | $6,891 | $2,359,547 | 2 | 20th Century Fox International |
| 2 | 1 | Hotel Transylvania | $669,777 | -50% | 140 | +4 | $4,784 | $2,810,133 | 2 | United International Pictures |
| 3 | 4 | Ted | $236,876 | -43% | 65 | -5 | $3,644 | $4,129,818 | 6 | Universal Pictures International (UPI) |
| 4 | - | Looper | $212,004 | - | 63 | - | $3,365 | $212,004 | 1 | N/A |
| 5 | 3 | Resident Evil: Retribution | $210,313 | -63.9% | 70 | -30 | $3,004 | $2,220,858 | 3 | Sony Pictures Releasing |
| 6 | 5 | Hope Springs | $118,789 | -50.7% | 55 | -1 | $2,159 | $1,831,493 | 5 | N/A |
| 7 | 6 | Clandestine Childhood | $95,599 | -50.1% | 49 | +5 | $1,951 | $672,075 | 4 | Distribution Company |
| 8 | - | Red Lights | $86,517 | - | 37 | - | $2,338 | $86,517 | 1 | Distribution Company |
| 9 | - | Dredd | $51,443 | - | 61 | - | $843 | $51,443 | 1 | Alfa Films |
| 10 | 7 | 2 + 2 | $45,651 | -71.2% | 43 | -27 | $1,061 | $5,734,621 | 9 | Walt Disney Pictures |
| 11 | 8 | House at the End of the Street | $41,208 | -70.4% | 48 | -1 | $858 | $447,396 | 3 | N/A |
| 12 | 9 | Finding Nemo 2012 3D Release | $20,199 | -84% | 22 | -26 | $918 | $1,458,760 | 4 | Walt Disney Pictures |
| 13 | 10 | Silent House | $16,258 | -61.8% | 16 | -9 | $1,016 | $342,341 | 4 | N/A |
| 14 | 11 | The Possession | $14,233 | -58.8% | 20 | -9 | $711 | $1,213,194 | 7 | N/A |
| 15 | 14 | The German Friend | $11,346 | -55.8% | 15 | +2 | $756 | $48,688 | 2 | Primer Plano Film Group |
| 16 | 12 | The Apparition | $10,360 | -65.7% | 23 | -8 | $450 | $569,442 | 5 | Warner Bros. |
| 17 | 15 | The Dark Knight Rises | $6,914 | -65.8% | 5 | -2 | $1,382 | $10,938,216 | 12 | Warner Bros. |
| 18 | 13 | The Secret of the Gods | $4,302 | -83.5% | 8 | -9 | $537 | $2,121,613 | 8 | Walt Disney Pictures |
| 19 | 18 | Brave | $3,556 | -53.9% | 12 | - | $296 | $10,876,090 | 14 | Walt Disney Pictures |
| 20 | 16 | The Vampire Spider | $3,534 | -73.7% | 9 | -3 | $392 | $24,213 | 2 | N/A |
| 21 | 19 | Ruby Sparks | $3,430 | -54.1% | 13 | +1 | $263 | $96,442 | 4 | 20th Century Fox International |
| 22 | 17 | Ice Age: Continental Drift | $2,008 | -75.7% | 8 | -9 | $251 | $29,102,488 | 16 | 20th Century Fox International |
| 23 | - | La Cacería | $1,385 | - | 4 | - | $346 | $1,385 | 1 | Primer Plano Film Group |
| 24 | 20 | The Intouchables | $1,355 | -75% | 3 | -2 | $451 | $708,279 | 11 | Distribution Company |
| 25 | 22 | Everybody Has a Plan | $1,212 | -71.1% | 5 | -5 | $242 | $692,149 | 7 | 20th Century Fox International |
| 26 | 29 | Madagascar 3: Europe's Most Wanted | $926 | -14.1% | 39 | +36 | $23 | $17,351,362 | 19 | Paramount Pictures International |
| 27 | 28 | Elles | $760 | -50.5% | 1 | - | $760 | $126,935 | 7 | CDI Films |
| 28 | 24 | To Rome with Love | $695 | -65.7% | 1 | - | $695 | $2,613,633 | 16 | N/A |
| 29 | 26 | The Mill and the Cross | $692 | -64.2% | 2 | -1 | $346 | $134,755 | 9 | N/A |
| 30 | 23 | The Bourne Legacy | $358 | -83% | 1 | -2 | $358 | $759,536 | 8 | Universal Pictures International (UPI) |
| 31 | 32 | The Three Stooges | $332 | -8% | 1 | - | $332 | $848,651 | 13 | 20th Century Fox International |
| 32 | 30 | White Elephant | $306 | -42.2% | 1 | -1 | $306 | $3,960,455 | 22 | Primer Plano Film Group |
| 33 | 21 | Savages | $279 | -93.6% | 2 | -11 | $139 | $224,656 | 5 | Universal Pictures International (UPI) |
| 34 | 25 | Hold Up! | $192 | -90.1% | 1 | -3 | $192 | $3,254,060 | 11 | Walt Disney Pictures |
| 35 | 27 | 360 | $187 | -89.3% | 1 | -4 | $187 | $149,372 | 6 | N/A |
| 36 | 31 | The Expendables 2 | $162 | -62.8% | 1 | -1 | $162 | $2,191,925 | 9 | Alfa Films |
| 37 | 35 | The Star Maker | $40 | -39.4% | 1 | - | $40 | $136,142 | 7 | Primer Plano Film Group |
| 38 | 36 | La pelea de mi vida | $21 | -65% | 1 | - | $21 | $577,991 | 6 | Walt Disney Pictures |
Argentina box office data is courtesy of Ultracine.
