Poussières d'amour - Abfallprodukte der Liebe (1996)
German director Werner Schroeter invited his favourite opera singers to a 13th century abbey near Paris. LOVES DEBRIS didnt have, and couldn't have had, any pre-planned action. There was no script, no continuity. On the other hand, there were precise constraints that provided the rules of the game: the setting, the Abbey of Royaumont, and the chosen participants. Each singer came accompanied by a person of his or her choice, and worked on an aria chosen by the director. And there was ELISABETH COOPER, a "one-woman orchestra", who transposed and played the scores on the piano and organ.
All Releases
Domestic
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International
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Worldwide
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| Filmmakers | Role |
|---|---|
| Werner Schroeter | Director |
| Werner Schroeter | Writer |
| Claire Alby | Writer |
| Jean-Pierre Bailly | Producer |
| Anne Cauvin | Producer |
| Christoph Hahnheiser | Producer |
| Wieland Schulz-Keil | Producer |
| Elfi Mikesch | Cinematographer |
| Juliane Lorenz | Editor |
| Alberte Barsacq | Production Designer |
| Cast | Role |
|---|---|
| Anita Cerquetti | |
| Martha Mödl | |
| Rita Gorr | |
| Kristine Ciesinski |
