Yes, Madam (1942)
Poggioli's masterpiece, a precursor to Neorealism, was shot on location in Genoa and tells the story of a 'humiliated and mistreated' maid, who sacrifices herself to save a child. The mainstream flirts with anti-bourgeoisie sentiments. "The dance hall scene is strikingly beautiful". (G. Buttafava)
All Releases
Domestic
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International
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Worldwide
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| Filmmakers | Role |
|---|---|
| Ferdinando Maria Poggioli | Director |
| Flavia Steno | Writer |
| Anna Banti | Writer |
| Emilio Cecchi | Writer |
| Bruno Fallaci | Writer |
| Alberto Lattuada | Writer |
| Ferdinando Maria Poggioli | Writer |
| Emilio Cecchi | Writer |
| Alberto Lattuada | Writer |
| Felice Lattuada | Composer |
| Carlo Montuori | Cinematographer |
| Ferdinando Maria Poggioli | Editor |
| Fulvio Jacchia | Production Designer |
| Cast | Role |
|---|---|
| Maria Denis | |
| Leonardo Cortese | |
| Emma Gramatica | |
| Irma Gramatica |
