Glass Houses (1922)
When Joy Duval and her sister, Cicily, lose their inheritance and are faced with the necessity of working, Joy applies at an employment agency disguised as a prim old-fashioned working girl and is hired by Aunt Harriet as a companion. She is primarily concerned with the reform of Billy Norton, Harriet's nephew. The young couple are discovered in the garage of a wealthy relative, where they spend the night unaware of each other's presence; and it is assumed that they have eloped. Harriet is delighted when they are married, and Billy is happy to find that his wife is actually a chic beauty. Through a misunderstanding, his wife is mistaken for Angel Face Ann, a notorious thief, but all ends well when the real lady crook is captured.
All Releases
Domestic
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International
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Worldwide
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| Filmmakers | Role |
|---|---|
| Harry Beaumont | Director |
| Clara Genevieve Kennedy | Writer |
| Edith M. Kennedy | Writer |
| John Arnold | Cinematographer |
| Cast | Role |
|---|---|
| Viola Dana | |
| Gaston Glass | |
| Mayme Kelso | |
| Helen Lynch |
