After Five (1915)
Ted Ewing, a young New Yorker, is the guardian of Nora Hildreth, with whom he is in love. He invests her fortune of $50,000 and an equal amount of his own money (constituting almost his entire property) in a stock exchange speculation. When this speculation apparently fails he seeks to reimburse the girl by taking out a life insurance policy in her favor and then killing himself. But, as the policy has a clause invalidating it in case of suicide, he has to arrange an "accidental death" for himself, and, to this end, enters into an arrangement with the chief of the S.S.S., a blackmailing society which has already threatened his life. The humorous complications really begin when it develops that the money has not been lost but doubled, so that Ted, instead of wishing to die, has every reason imaginable for wishing to live. It is, however, almost impossible to break his sworn pact with the S.S.S. and his own Japanese valet, to whom he gave the money to pay for his death, refuses to divert the money from the one use to which it has been pledged. The manner in which Ted manages to escape from his own plots against his own life, and the details of his romance with Nora form the concluding episodes of this highly amusing photodrama.
All Releases
Domestic
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International
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Worldwide
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| Filmmakers | Role |
|---|---|
| Oscar Apfel | Director |
| Cecil B. DeMille | Director |
| Cecil B. DeMille | Writer |
| William C. de Mille | Writer |
| William C. de Mille | Writer |
| Alfred Gandolfi | Cinematographer |
| Cast | Role |
|---|---|
| Edward Abeles | |
| Sessue Hayakawa | |
| Betty Schade | |
| Jane Darwell |
