Ramona (1910)
Ramona is a little orphan of the great Spanish household of Moreno. Alessandro, the Indian, arrives at the Camulos ranch with his sheep-shearers, showing his first meeting with Ramona. There is at once a feeling of interest noticeable between them which ripens into love. This Senora Moreno, her foster mother, endeavors to crush, with poor success, until she forces a separation by exiling Alessandro from the ranch. He goes back to his native village to find the white men devastating the place and scattering his people. The Senora, meanwhile, has told Ramona that she herself has Indian blood, which induces her to renounce her present world and go to Alessandro. They are married and he finds still a little shelter left from the wreckage. Here they live until the whites again appear and drive them off, claiming the land. From place to place they journey, only to be driven further until finally death comes to Alessandro just as aid comes in the person of Felipe, the Senora's son, who takes Ramona back to Camulos.
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| Filmmakers | Role |
|---|---|
| D.W. Griffith | Director |
| Helen Hunt Jackson | Writer |
| D.W. Griffith | Writer |
| Stanner E.V. Taylor | Writer |
| G.W. Bitzer | Cinematographer |
| Cast | Role |
|---|---|
| Mary Pickford | |
| Henry B. Walthall | |
| Francis J. Grandon | |
| Kate Bruce |
