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Shyamalan’s ‘Old’ Beats G.I. Joe’s ‘Snake Eyes’ As The Box Office Hits A Speed Bump

As far as brand names go, it looks like G.I. Joe is no match for M. Night Shyamalan. Many were expecting the weekend to be won by Snake Eyes, which is essentially a reboot of the G.I. Joe series, but Old, the latest from Shyamalan, snuck past it, despite not setting the box office on fire itself. With big declines from both Black Widow and Space Jam: A New Legacy, this weekend had the lowest overall gross since before F9: The Fast Saga opened a month ago (though it’s neck and neck with July 2-4, so the actuals may change that). It is hard to say whether this is due to a lack of enticing new content to draw people in, renewed fears of Covid due to the Delta variant and rising cases, or many of the top films being available for streaming, and it is likely that all three played some role.

It’s Shyamalan Vs. G.I. Joe As Old & Snake Eyes Open

This week sees two new wide releases hit theaters, Snake Eyes and Old, and after last week’s expectations-smashing debut for Space Jam: A New Legacy, we feel like anything could happen at the box office. Many expect the top spot to be taken by Snake Eyes, the latest entry in the G.I. Joe franchise, but there could be an upset from Old, M. Night Shyamalan’s new supernatural mindbender, which is outrunning Snake Eyes in IMDb page views. They look like solid bets for the top two, and it should be noted that both are theatrical exclusives, but if they have sub-par performances and Space Jam holds strong, we could see the order of things shaken up. Whether or not the current uptick in Covid-19 cases impacts the box office this weekend is another open question.

‘Space Jam’ Shocks ‘Black Widow’ With A Slam-Dunk $31.7 Million

Superheroes aren’t usually caught napping. Nor are box-office prognosticators. But neither party saw this weekend’s surprising slam dunk at the multiplex coming. All early projections had Marvel’s Scarlett Johansson-led tentpole, Black Widow, repeating in the top spot for a second straight weekend. But NBA legend LeBron James and a bunch of double-dribbling Looney Tunes characters spurred Warner Bros.’ family-friendly Space Jam: A New Legacy to a box-office upset thanks to a surprisingly robust $31.7 million domestic bow.

Sequels Galore As ‘Space Jam 2’ and ‘Escape Room 2’ Take On ‘Black Widow’

It took 25 years, but Space Jam is finally getting a sequel, while Escape Room gets a less long awaited sequel after just 2.5 years. Space Jam: A New Legacy is the week’s biggest new release, and the NBA/Looney Tunes mashup is another of Warner’s HBO Max simul-releases. Continuing with the summer’s streak of horror films is the theatrical exclusive Escape Room: Tournament of Champions from Sony. Both films are about extraordinary competitions, but they will have a hard time competing with Black Widow, which enters its second weekend.

‘Black Widow’ Smashes Pandemic Record With Huge $80 Million Domestic Opening

For Disney, the wait definitely turned out to be worth it as its long-delayed Marvel tentpole Black Widow came storming out of the gate with a huge $80 million opening at the North American box office, smashing the previous pandemic-era record set by F9: The Fast Saga just three weeks ago. While the Scarlett Johansson superhero epic also cleaned up overseas, perhaps the second-biggest surprise of the weekend was that the secretive studio revealed that Black Widow tacked on another $60 million in Premier Access rentals through its Disney Plus streaming service.

'Black Widow' Looks To Break Pandemic-Era Records

It wouldn’t be a proper summer movie season without an offering from the Marvel Cinematic Universe (MCU), and after a delay of over a year, and two years since the last MCU film, Black Widow is hitting theaters. With potential to be the summer’s biggest film, it is also a test for the box office in the pandemic recovery era, just as F9: The Fast Saga was when it opened two weeks ago. A big Marvel blockbuster may be the push many need to return to theaters, though how the film performs compared to others in the series will help let us know where we stand.

‘F9’ Keeps The Pedal To The Metal Over Fourth of July Weekend With $24 Million, Beating Out A Trio Of New Challengers

F9: The Fast Saga kept the pedal to the metal over the Fourth of July weekend and kept its pole position at the North American box office, outracing a trio of newcomers that included a sequel to The Boss Baby, the latest installment in the Purge franchise, and a buzzy indie based on an epic Twitter thread. Thanks to its continued box-office success overseas, F9 became the first Hollywood film to roar past the global $500 million mark since the pre-pandemic blockbuster Star Wars: The Rise of Skywalker.

Universal To Come In 1st, 2nd, & 3rd With ‘F9,’ ‘The Boss Baby: Family Business,’ & ‘The Forever Purge’

After months of the box office cycling between revving up and stalling out, we’ve finally seen some real summer blockbuster numbers with F9: The Fast Saga’s $70 million opening last weekend, leading the charge for an overall weekend total that came in at just under $100 million. This Fourth of July weekend looks to continue the stride, with three new wide releases, two coming from Universal, which will give the studio the top three with F9, The Boss Baby: Family Business, and The Forever Purge. With Black Widow coming next weekend and a string of big films over the next month, our box office future is starting to look much brighter.

The Blockbuster Is Back As ‘F9’ Races Out Of The Gate With A Record-Breaking $70 Million Bow

The summer blockbuster is back! And that sound you just heard is Hollywood letting out its collective breath. After more than a year of delays, Universal’s latest entry in the money-minting Fast & Furious cycle, F9: The Fast Saga, burned rubber out of the gate with a massive $70 million domestic debut. The opening not only left all previous pandemic-era box-office records in the dust, but also marked the biggest North American bow since 2019’s Star Wars: The Rise of Skywalker.

‘F9’ Brings The Blockbuster Back

This is the weekend Hollywood has been waiting for. F9: The Fast Saga finally opens in the U.S. after over a year of delays, and it is the first major blockbuster release of the summer. It’s been a rocky summer movie season, with one bonafide hit (A Quiet Place Part II), a string of disappointments (Peter Rabbit 2, In The Heights, Spiral), and films that came somewhere in between (The Conjuring: The Devil Made Me Do It, Cruella). It is hard to know exactly where the industry stands and how to diagnose the lackluster grosses of many films. On one hand, there is still some segment of the audience that is reluctant to go back to the movies, and VOD availability for many films could be diminishing the turnout. On the other hand, maybe many of the films released so far have just not been the right films to draw the audience back. F9 might just be the movie to change that for many, and it feels like a test for the industry, letting us know how “back to normal” we really are.

‘The Hitman’s Wife’s Bodyguard’ Tops An Uneventful Father’s Day Weekend

The box office has been in a strange in-between zone, no longer in the doldrums of the pandemic but not quite back to normal either. After Memorial Day weekend seemed to bring back America’s movie mania -- thanks to the openings of A Quiet Place Part II and Cruella -- things have stalled a bit since then, especially with the twin disappointments last weekend (In The Heights and Peter Rabbit 2). This weekend feels like something of a placeholder while Hollywood eagerly awaits F9, which has already brought in $292.1 million internationally, to kick off a season of blockbusters. Despite being a relatively uneventful Father’s Day weekend at the box office, the one big newcomer, The Hitman’s Wife’s Bodyguard, has held down the fort quite well.

‘The Hitman’s Wife’s Bodyguard’ Looks To Assassinate The Competition

Our road to box office recovery has had its ups and downs, and after a few weekends in a row of $20+ million openers (A Quiet Place Part II, Cruella, and The Conjuring: The Devil Made Me Do It), it feels as if we’ve taken a step backward again as In The Heights and Peter Rabbit 2 under-performed, both opening in the low teens. Despite those soft openings, though, the overall weekend box office of $57 million was still the fourth best this year. Even if this weekend backslides below $50 million, an unthinkable number pre-pandemic, it will still be far ahead of where we were one month ago, and only one week remains until F9 hits, hopefully giving the industry the blockbuster opening it has been waiting for.

A Soft Box-Office Debut For ‘In the Heights’ Lets ‘A Quiet Place Part II’ Reclaim The Top Spot

The critics swooned for it, the studio marketed the heck out of it, and its feel-good message couldn’t have arrived at a better time. So why did Warner Bros’ splashy new movie-musical In the Heights receive such a lukewarm turnout in its opening weekend? With advance predictions pegging the debut of Lin-Manuel Miranda’s stage-to-screen adaptation at around $20 million, In the Heights fell well short of expectations, pulling in a soft $11.4 million in its first frame, leaving an opening for the three-week-old horror sequel A Quiet Place Part II to reclaim the top spot in North America. Meanwhile, Peter Rabbit 2: The Runaway hopped its way into third place in with a $10.4 million bow.

After Weeks Of Scares, ‘In The Heights’ and ‘Peter Rabbit 2’ Bring Back Feel Good Entertainment

After four weekends of horror films topping the box office -- a highly unusual occurrence in general and even more so in the summer -- we are moving into some lighter territory with this weekend’s two new wide releases. In The Heights and Peter Rabbit 2: The Runaway are both opening and hoping to pull in viewers looking for sunny, feel-good experiences as we continue to recover from the pandemic. We still have two weeks to go until we get a proper blockbuster release when F9 makes its stateside debut, but this weekend’s cheery offerings will hopefully continue to draw more moviegoers back to the theaters.

The Latest ‘Conjuring’ Chapter Outscares ‘A Quiet Place Part II’ For The Top Spot At The Domestic Box Office With $24 Million

The box office is becoming a scary place these days. And for the first time in a long time, it’s scary in a good way. Just a week after A Quiet Place Part II lured the horror faithful back into darkened multiplexes, the latest chapter in the hit husband-and-wife demonologist saga, The Conjuring: The Devil Made Me Do It, scared its way to a No. 1 opening in North America with a stronger-than-anticipated $24 million debut weekend.

‘The Conjuring: The Devil Made Me Do It’ Competes With ‘A Quiet Place Part II’ To Scare Audiences

Memorial Day weekend gave us proof that audiences are ready to return to the cinemas, as long as there is strong enough content to draw them in. With an overall weekend haul of $80.6 million, over 85% of which came from A Quiet Place Part II and Cruella, the domestic box office saw its best weekend since March 2020. While a repeat of the holiday weekend’s numbers is unlikely, AQP2 will battle it out with this week’s major newcomer, The Conjuring: The Devil Made Me Do It, to lead another weekend that shows the business continues on its road to recovery.

‘A Quiet Place Part II’ Makes Serious Memorial Day Noise With A $48.4 Million Three-Day Bow; ‘Cruella’ Is Solid In Second With $21.3 Million

Hollywood is finally back in business…and not a moment too soon. After 14 long months of darkened marquees and skittish moviegoers who opted to stay home and stream due to COVID-19, Memorial Day weekend arrived just in the nick of time.

Summer Blockbusters Return With ‘A Quiet Place Part II’ And ‘Cruella’

After spending most of May dipping its toes in the water with medium-budget films, Hollywood is finally putting some heavyweights into the ring as Cruella and A Quiet Place Part II have their long-awaited debuts this Memorial Day weekend. At last, the summer blockbuster season is here. If audiences flock to these two newcomers as hoped, we should see the biggest weekend at the domestic box office since March 2020. It should also become the pandemic weekend champion, beating out April 23-25, 2021, which had a total gross of $57 million, with Mortal Kombat and Demon Slayer: Mugen Train leading the pack.

‘Spiral’ Holds The Top Spot At Home With Just Under $4.6 Million In Second Week, While ‘F9’ Burns Rubber Overseas With $162 Million Bow

Despite the scorn of critics and its modest, penny-pinching budgets, the Saw franchise has always been one of Hollywood’s stealthiest and most surprising success stories. And now, thanks to Spiral’s roughly $4.6 million sophomore frame, which was good enough to hold the top spot in North America, the series just surpassed the $1 billion mark in total global ticket sales. Still, the biggest box-office story of the weekend came from overseas, where Universal’s latest Fast and the Furious sequel, F9, raked $162 million in its fuel-injected bow, with the lion’s share of loot coming from China.

Slow Weekend Ahead In The U.S., ‘F9’ Races Into China, And U.K. Reopens With ‘Peter Rabbit 2’

The summer movie season will finally get some gas in its tank next weekend with the release of Cruella and A Quiet Place Part II, but this weekend the domestic box office will mostly be spinning its wheels. With no new wide releases, the titles in the top ten on the box office chart could look a lot like last week’s, perhaps with a few of the new limited releases sprinkled in. We’re likely headed into the lowest grossing weekend in months, which is unusual for the latter half of May, especially when you factor in the pandemic’s waning presence.
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