September Box Office
The month of September
Data as of Jun 21, 12:38 PDT
| Year | Cumulative Gross | %± LY | Releases | Average | #1 Release | Gross | % of Total |
|---|---|---|---|---|---|---|---|
| 2024 | $64,667,383 | +116% | 41 | $1,577,253 | I, the Executioner | $46,480,118 | 71.9% |
| 2023 | $29,935,225 | +373.4% | 74 | $404,530 | Sleep | $8,782,782 | 29.3% |
| 2022 | $6,323,046 | -85.2% | 33 | $191,607 | Project Wolf Hunting | $1,934,320 | 30.6% |
| 2021 | $42,584,541 | +402% | 42 | $1,013,917 | Shang-Chi and the Legend of the Ten Rings | $13,978,774 | 32.8% |
| 2020 | $8,482,541 | -90.5% | 40 | $212,063 | Deliver Us from Evil | $1,808,387 | 21.3% |
| 2019 | $89,083,994 | +18.4% | 61 | $1,460,393 | The Bad Guys: The Movie | $26,721,275 | 30% |
| 2018 | $75,257,974 | +14.3% | 70 | $1,075,113 | Searching | $21,965,537 | 29.2% |
| 2017 | $65,822,600 | -34.4% | 67 | $982,426 | Memoir of a Murderer | $15,978,874 | 24.3% |
| 2016 | $100,374,763 | - | 57 | $1,760,960 | The Age of Shadows | $48,877,951 | 48.7% |
| 2014 | $113,025,259 | +4.6% | 15 | $7,535,017 | Tazza: The Hidden Card | $27,651,532 | 24.5% |
| 2013 | $108,027,598 | +20.9% | 20 | $5,401,379 | The Face Reader | $49,725,955 | 46% |
| 2012 | $89,331,265 | +25% | 24 | $3,722,136 | Masquerade | $32,796,806 | 36.7% |
| 2011 | $71,494,434 | -21.9% | 40 | $1,787,360 | Marrying the Mafia 4: Family Ordeal | $14,795,581 | 20.7% |
| 2010 | $91,592,183 | +43.3% | 58 | $1,579,175 | The Man from Nowhere | $12,250,626 | 13.4% |
| 2009 | $63,918,650 | +12.8% | 59 | $1,083,366 | Take Off | $14,037,800 | 22% |
| 2008 | $56,654,424 | -38.5% | 79 | $717,144 | The Divine Weapon | $17,208,497 | 30.4% |
| 2007 | $92,091,925 | +128.8% | 115 | $800,799 | The Bourne Ultimatum | $12,104,164 | 13.1% |
| 2006 | $40,246,218 | +85.4% | 20 | $2,012,310 | Maundy Thursday | $8,591,239 | 21.4% |
| 2005 | $21,705,871 | - | 14 | $1,550,419 | Marrying the Mafia 2: Enemy-in-Law | $5,555,893 | 25.6% |
| 2002 | $42,341,225 | - | 19 | $2,228,485 | Family Honor | $11,096,592 | 26.2% |
This chart only reflects 98 percent of total screens in South Korea.
