October Box Office
The month of October
Data as of Jul 16, 2:03 PDT
Year | Cumulative Gross | %± LY | Releases | Average | #1 Release | Gross | % of Total |
---|---|---|---|---|---|---|---|
2024 | $25,817,093 | -33.5% | 59 | $437,577 | I, the Executioner | $5,656,347 | 21.9% |
2023 | $38,831,348 | -11.6% | 65 | $597,405 | Love Reset | $11,784,375 | 30.4% |
2022 | $43,903,933 | +15.3% | 70 | $627,199 | Confidential Assignment 2: International | $8,200,997 | 18.7% |
2021 | $38,080,758 | +136.9% | 81 | $470,132 | Venom: Let There Be Carnage | $13,900,685 | 36.5% |
2020 | $16,072,260 | -79.7% | 45 | $357,161 | Samjin Company English Class | $3,450,389 | 21.5% |
2019 | $79,220,306 | -45.2% | 53 | $1,494,722 | Joker | $31,344,147 | 39.6% |
2018 | $144,431,517 | +1.2% | 71 | $2,034,246 | The Great Battle | $30,107,909 | 20.8% |
2017 | $142,732,257 | +11.5% | 66 | $2,162,609 | The Outlaws | $42,779,596 | 30% |
2016 | $127,961,440 | -29.7% | 68 | $1,881,785 | Luck-Key | $39,911,699 | 31.2% |
2015 | $182,095,172 | +144.4% | 60 | $3,034,919 | Assassination | $86,917,972 | 47.7% |
2014 | $74,512,465 | -2.6% | 19 | $3,921,708 | My Love, My Bride | $11,821,650 | 15.9% |
2013 | $76,508,854 | -18.8% | 23 | $3,326,471 | Gravity | $16,723,231 | 21.9% |
2012 | $94,187,715 | +5.3% | 21 | $4,485,129 | Masquerade | $40,016,180 | 42.5% |
2011 | $89,425,758 | +70.6% | 42 | $2,129,184 | Silenced | $21,400,962 | 23.9% |
2010 | $52,421,119 | +10.4% | 57 | $919,668 | Cyrano Agency | $7,655,473 | 14.6% |
2009 | $47,505,736 | +18.3% | 57 | $833,433 | Closer to Heaven | $6,986,656 | 14.7% |
2008 | $40,152,113 | -34% | 73 | $550,028 | Eagle Eye | $8,828,698 | 22% |
2007 | $60,874,370 | -5.5% | 110 | $553,403 | Going by the Book | $9,805,565 | 16.1% |
2006 | $64,435,238 | +123.7% | 19 | $3,391,328 | Tazza: The High Rollers | $26,498,208 | 41.1% |
2005 | $28,802,480 | - | 18 | $1,600,137 | Most Beautiful Week in My Life | $8,015,825 | 27.8% |
2002 | $41,405,872 | - | 22 | $1,882,085 | Family Honor | $9,558,228 | 23.1% |
This chart only reflects 98 percent of total screens in South Korea.