Adjuster:

Weekend Box Office


December 1-3, 2017
Weekend


<<Last Weekend <Last YearView Index: By Year | By WeekendNext Weekend>>
Est. / Act.DiffMovie Title (click to view)StudioStudio Est. / ActualDiff% DiffTheatersEst. TotalActualWk
1 1 - Coco BV $26,114,000 $27,533,304 $+1,419,304 +5.4% 3,987 $108,689,404 $110,108,708 2
2 2 - Justice League WB $16,580,000 $16,651,104 $+71,104 +0.4% 3,820 $197,335,921 $197,407,025 3
3 3 - Wonder LGF $12,500,000 $12,147,182 $-352,818 -2.8% 3,449 $88,032,623 $87,679,805 3
4 4 - Thor: Ragnarok BV $9,659,000 $9,885,936 $+226,936 +2.3% 3,148 $291,406,599 $291,633,535 5
5 5 - Daddy's Home 2 Par. $7,500,000 $7,572,390 $+72,390 +1.0% 3,403 $82,814,446 $82,886,836 4
6 6 - Murder on the Orient Express (2017) Fox $6,700,000 $6,767,002 $+67,002 +1.0% 3,201 $84,772,513 $84,839,515 4
7 8 +1 Lady Bird A24 $4,543,990 $4,291,590 $-252,400 -5.6% 1,194 $17,089,441 $16,837,041 5
8 7 -1 Three Billboards Outside Ebbing, Missouri FoxS $4,530,000 $4,396,537 $-133,463 -2.9% 1,430 $13,670,520 $13,537,057 4
9 9 - The Star Sony $4,000,000 $4,078,423 $+78,423 +2.0% 2,822 $27,279,653 $27,358,076 3
10 10 - A Bad Moms Christmas STX $3,480,000 $3,385,484 $-94,516 -2.7% 2,251 $64,831,823 $64,737,307 5
11 11 - Roman J. Israel, Esq. Sony $1,935,000 $1,958,702 $+23,702 +1.2% 1,669 $9,503,090 $9,526,792 3
12 12 - The Disaster Artist A24 $1,220,831 $1,211,345 $-9,486 -0.8% 19 $1,220,831 $1,211,345 1
13 13 - The Man Who Invented Christmas BST $863,053 $882,836 $+19,783 +2.3% 674 $3,150,475 $3,170,258 2
14 14 - Titanic (20th Anniversary) Par. $415,000 $438,602 $+23,602 +5.7% 87 $415,000 $438,602 1
15 16 +1 Call Me by Your Name SPC $281,280 $295,561 $+14,281 +5.1% 4 $908,175 $922,456 2
16 18 +2 Jigsaw LGF $220,000 $222,803 $+2,803 +1.3% 301 $37,600,988 $37,603,791 6
17 20 +3 The Shape of Water FoxS $166,800 $166,564 $-236 -0.1% 2 $166,800 $166,564 1
18 23 +5 Wonder Wheel Amazon $140,555 $125,570 $-14,985 -10.7% 5 $140,555 $125,570 1
19 22 +3 My Friend Dahmer FR $140,000 $133,113 $-6,887 -4.9% 90 $939,294 $932,407 5
20 24 +4 The Florida Project A24 $129,240 $110,663 $-18,577 -14.4% 120 $4,873,123 $4,854,546 9
21 26 +5 Darkest Hour Focus $109,000 $108,372 $-628 -0.6% 4 $411,481 $411,853 2
22 27 +5 Tyler Perry's Boo 2! A Madea Halloween LGF $106,000 $103,767 $-2,233 -2.1% 212 $47,164,878 $47,162,645 7
24 33 +9 The Foreigner STX $76,000 $74,979 $-1,021 -1.3% 130 $34,216,587 $34,215,566 8
25 31 +6 Jane (2017) Abr. $73,286 $78,891 $+5,605 +7.6% 49 $1,253,205 $1,258,810 7
26 35 +9 Kingsman: The Golden Circle Fox $65,300 $67,167 $+1,867 +2.9% 163 $100,050,714 $100,052,581 11
27 34 +7 Victoria and Abdul Focus $65,000 $69,865 $+4,865 +7.5% 131 $22,037,050 $22,041,915 11
28 36 +8 Despicable Me 3 Uni. $63,000 $64,900 $+1,900 +3.0% 152 $264,477,440 $264,479,340 23
29 39 +10 Novitiate SPC $52,875 $51,735 $-1,140 -2.2% 163 $468,545 $467,405 6
31 45 +14 The Killing of a Sacred Deer A24 $40,787 $38,671 $-2,116 -5.2% 41 $2,192,176 $2,190,061 7
32 43 +11 Happy Death Day Uni. $40,000 $40,410 $+410 +1.0% 100 $55,628,750 $55,628,160 8
33 42 +9 American Made Uni. $39,000 $40,750 $+1,750 +4.5% 93 $51,271,725 $51,272,475 10
34 41 +7 Let there be Light ADC $36,300 $43,096 $+6,796 +18.7% 121 $7,112,328 $7,119,124 6
35 48 +13 Thelma Orch. $31,423 $24,157 $-7,266 -23.1% 36 $81,399 $74,133 4
36 49 +13 Explosion CL $20,000 $22,760 $+2,760 +13.8% 34 $98,212 $100,972 2
37 51 +14 The Other Side of Hope Jan. $17,052 $15,495 $-1,557 -9.1% 3 $17,052 $15,495 1
38 50 +12 Faces Places Cohen $16,105 $17,045 $+940 +5.8% 16 $520,758 $521,698 9
40 62 +22 Big Time Abr. $7,571 $7,347 $-224 -3.0% 2 $7,571 $7,347 1
41 74 +33 Painted Woman Amor $4,741 $3,346 $-1,395 -29.4% 3 $4,741 $4,597 4
43 70 +27 Leap! Wein. $4,064 $4,351 $+287 +7.1% 29 $21,856,466 $21,856,753 15
44 80 +36 Wind River Wein. $2,555 $2,557 $+2 +0.1% 9 $33,799,768 $33,799,770 18
TOTALS:$101,988,808$103,134,372$+1,145,564+1.1%33,167 
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* Production Budget in millions. On average, studios earn around 55 percent of the final gross.

Note: Studio Estimates are the estimated weekend grosses that each distributor makes for its own movies on Sunday mornings—based on grosses for Friday and Saturday plus a projection for Sunday. This chart view shows how accurate the studios were.


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