Adjuster:

Weekend Box Office


November 4-6, 2011
Weekend

'Puss' Fends Off Stiller, Murphy, Stoners...

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RowEst. / Act.DiffMovie Title (click to view)StudioStudio Est. / ActualDiff% DiffTheatersEst. TotalActualWk
1 1 1 - Puss in Boots P/DW $33,035,000 $33,054,644 $+19,644 +0.1% 3,963 $75,508,000 $75,527,682 2
2 2 2 - Tower Heist Uni. $25,100,000 $24,025,190 $-1,074,810 -4.3% 3,367 $25,100,000 $24,025,190 1
3 4 4 - Paranormal Activity 3 Par. $8,525,000 $8,333,691 $-191,309 -2.2% 3,286 $95,308,000 $95,116,745 3
4 5 5 - In Time Fox $7,700,000 $7,481,592 $-218,408 -2.8% 3,127 $24,209,000 $23,990,237 2
5 3 3 - A Very Harold & Kumar 3D Christmas WB (NL) $13,065,000 $12,954,142 $-110,858 -0.8% 2,875 $13,065,000 $12,954,142 1
6 6 6 - Footloose (2011) Par. $4,550,000 $4,470,135 $-79,865 -1.8% 2,811 $44,800,000 $44,719,755 4
7 7 7 - Real Steel BV $3,407,000 $3,436,086 $+29,086 +0.9% 2,438 $78,750,000 $78,779,328 5
8 8 8 - The Rum Diary FD $2,988,000 $2,920,481 $-67,519 -2.3% 2,292 $10,423,000 $10,356,215 2
9 11 11 - The Three Musketeers (2011) Sum. $1,700,000 $1,698,634 $-1,366 -0.1% 1,863 $18,049,000 $18,047,630 3
10 9 9 - The Ides of March Sony $2,000,000 $1,938,197 $-61,803 -3.1% 1,391 $36,800,000 $36,738,482 5
11 10 10 - Moneyball Sony $1,900,000 $1,786,441 $-113,559 -6.0% 1,278 $70,327,000 $70,213,831 7
12 12 12 - Courageous TriS $1,550,000 $1,539,563 $-10,437 -0.7% 1,138 $29,962,000 $29,951,296 6
13 14 14 - Dolphin Tale WB $1,030,000 $1,022,266 $-7,734 -0.8% 1,105 $68,625,000 $68,617,383 7
14 15 15 - 50/50 Sum. $960,000 $953,636 $-6,364 -0.7% 747 $32,981,000 $32,974,877 6
15 - 17 - Johnny English Reborn Uni. $637,000 $676,245 $+39,245 +6.2% 644 $7,686,000 $7,725,155 3
16 13 13 - Anonymous Sony $1,275,000 $1,233,006 $-41,994 -3.3% 513 $2,725,000 $2,683,332 2
17 - 26 - The Thing (2011) Uni. $265,000 $264,955 $-45 -0.0% 384 $16,745,000 $16,744,635 4
18 - 21 - The Help BV $335,000 $333,158 $-1,842 -0.5% 358 $167,430,000 $167,427,819 13
19 - 29 - Dream House Uni. $206,000 $201,325 $-4,675 -2.3% 330 $21,152,000 $21,146,855 6
20 - 24 - Sarah's Key Wein. $277,000 $269,285 $-7,715 -2.8% 318 $7,346,000 $7,338,460 16
21 - 20 - The Way PDA $360,000 $360,713 $+713 +0.2% 224 $2,149,000 $2,149,673 5
22 - 33 - Abduction LGF $135,000 $130,754 $-4,246 -3.1% 207 $27,371,000 $27,366,475 7
23 - 16 - Margin Call RAtt. $774,000 $717,839 $-56,161 -7.3% 178 $2,572,000 $2,516,349 3
24 - 28 - The Lion King (in 3D) BV $200,000 $212,256 $+12,256 +6.1% 133 $93,424,000 $93,435,862 8
25 - 46 - Killer Elite ORF $39,600 $42,531 $+2,931 +7.4% 119 $25,003,700 $25,006,548 7
26 - 43 - Captain America: The First Avenger Par. $60,000 $56,811 $-3,189 -5.3% 102 $176,640,000 $176,636,816 16
27 - 18 - Martha Marcy May Marlene FoxS $471,000 $455,772 $-15,228 -3.2% 98 $1,036,000 $1,021,024 3
28 - 42 - Spy Kids: All the Time in the World W/Dim. $54,000 $57,758 $+3,758 +7.0% 98 $38,351,000 $38,355,210 12
29 - 48 - Apollo 18 W/Dim. $35,000 $35,789 $+789 +2.3% 93 $17,663,000 $17,663,688 10
30 - 32 - Take Shelter SPC $198,000 $175,802 $-22,198 -11.2% 90 $1,053,000 $1,031,096 6
31 - 22 - The Skin I Live In SPC $326,000 $328,372 $+2,372 +0.7% 78 $1,259,000 $1,260,995 4
32 - 40 - Midnight in Paris SPC $75,100 $69,104 $-5,996 -8.0% 54 $55,485,000 $55,478,969 25
33 - 41 - The Double Imag. $63,800 $60,193 $-3,607 -5.7% 45 $101,900 $98,560 2
34 - 45 - The Guard SPC $50,900 $48,965 $-1,935 -3.8% 39 $5,152,700 $5,150,733 15
35 - 62 - Our Idiot Brother Wein. $19,000 $19,893 $+893 +4.7% 35 $24,791,000 $24,791,760 11
36 - 25 - Like Crazy ParV $270,000 $266,514 $-3,486 -1.3% 16 $448,000 $444,510 2
37 - 63 - The Son of No One Anch. $19,800 $18,015 $-1,785 -9.0% 10 $19,800 $18,015 1
38 - 86 - Texas Killing Fields Anch. $4,000 $4,527 $+527 +13.2% 10 $41,100 $42,237 4
39 - 67 - The Other F Word Osci. $14,600 $15,792 $+1,192 +8.2% 2 $14,600 $15,792 1
TOTALS:$113,674,800$111,670,072$-2,004,728-1.8%35,859 
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* Production Budget in millions. On average, studios earn around 55 percent of the final gross.

Note: Studio Estimates are the estimated weekend grosses that each distributor makes for its own movies on Sunday mornings—based on grosses for Friday and Saturday plus a projection for Sunday. This chart view shows how accurate the studios were.



'Puss' Fends Off Stiller, Murphy, Stoners...

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