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Weekend Box Office


October 14-16, 2011
Weekend

Remakes Can't Retire 'Real Steel'...

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RowEst. / Act.DiffMovie Title (click to view)StudioStudio Est. / ActualDiff% DiffTheatersEst. TotalActualWk
1 - 105 - Puncture MNE $2,700 $2,619 $-81 -3.0% 2 $61,800 $61,773 4
2 - 89 - America the Beautiful 2: The Thin Commandments PMKBNC $6,700 $5,599 $-1,101 -16.4% 3 $6,700 $7,221 1
3 - 81 - Texas Killing Fields Anch. $9,600 $8,772 $-828 -8.6% 3 $9,600 $8,772 1
4 - 24 - The Skin I Live In SPC $231,000 $223,119 $-7,881 -3.4% 6 $231,000 $223,119 1
5 - 77 - Dirty Girl Wein. $9,500 $9,873 $+373 +3.9% 10 $38,500 $38,880 2
6 - 69 - Trespass (2011) MNE $18,200 $16,816 $-1,384 -7.6% 10 $18,200 $16,816 1
7 - 73 - Apollo 18 W/Dim. $14,000 $13,091 $-909 -6.5% 18 $17,541,000 $17,540,132 7
8 - 31 - Take Shelter SPC $129,000 $116,302 $-12,698 -9.8% 24 $286,000 $272,521 3
9 - 39 - Munger Road Free $66,500 $62,759 $-3,741 -5.6% 32 $174,200 $175,105 3
10 - 67 - Our Idiot Brother Wein. $17,000 $17,648 $+648 +3.8% 41 $24,690,000 $24,690,360 8
11 - 36 - Labios Rojos LGF $72,000 $73,476 $+1,476 +2.1% 67 $72,000 $73,476 1
12 - 45 - Sarah's Key Wein. $45,000 $45,844 $+844 +1.9% 86 $6,974,000 $6,974,409 13
13 - 33 - The Guard SPC $125,000 $106,717 $-18,283 -14.6% 94 $4,853,000 $4,824,661 12
14 - 21 - The Way PDA $263,000 $250,734 $-12,266 -4.7% 102 $427,000 $409,634 2
15 - 55 - I Don't Know How She Does It Wein. $32,000 $34,153 $+2,153 +6.7% 107 $9,569,000 $9,570,480 5
16 - 30 - Midnight in Paris SPC $138,000 $129,387 $-8,613 -6.2% 107 $55,116,000 $55,107,082 22
17 - 38 - Warrior LGF $65,000 $68,436 $+3,436 +5.3% 135 $13,569,000 $13,572,543 6
18 - 20 - Kevin Hart: Laugh at My Pain Code $276,000 $272,941 $-3,059 -1.1% 188 $7,365,000 $7,362,836 6
19 - 27 - The Debt Focus $176,000 $171,857 $-4,143 -2.4% 200 $30,879,000 $30,875,262 7
20 - 23 - Captain America: The First Avenger Par. $230,000 $233,254 $+3,254 +1.4% 246 $176,171,000 $176,173,787 13
21 - 25 - Cars 2 BV $205,000 $212,215 $+7,215 +3.5% 265 $190,779,000 $190,785,745 17
22 - 22 - Rise of the Planet of the Apes Fox $230,000 $238,361 $+8,361 +3.6% 273 $175,298,000 $175,306,812 11
23 - 26 - Spy Kids: All the Time in the World W/Dim. $195,000 $201,411 $+6,411 +3.3% 311 $38,030,000 $38,036,373 9
24 17 16 -1 Drive (2011) FD $1,060,000 $1,116,149 $+56,149 +5.3% 703 $32,058,000 $32,113,455 5
25 8 8 - Courageous TriS $3,400,000 $3,305,238 $-94,762 -2.8% 1,214 $21,378,000 $21,282,828 3
26 14 14 - The Help BV $1,206,000 $1,187,684 $-18,316 -1.5% 1,267 $164,924,000 $164,905,972 10
27 15 15 - What's Your Number? Fox $1,110,000 $1,145,159 $+35,159 +3.2% 1,282 $12,916,000 $12,950,926 3
28 16 17 +1 Killer Elite ORF $1,110,000 $1,031,220 $-78,780 -7.1% 1,431 $23,843,000 $23,763,724 4
29 12 12 - Contagion WB $1,815,000 $1,811,190 $-3,810 -0.2% 1,684 $72,003,000 $71,999,503 6
30 13 13 - Abduction LGF $1,450,000 $1,427,194 $-22,806 -1.6% 1,707 $25,801,000 $25,778,685 4
31 10 10 - The Lion King (in 3D) BV $2,708,000 $2,792,403 $+84,403 +3.1% 1,970 $90,452,000 $90,536,318 5
32 9 9 - The Big Year Fox $3,325,000 $3,251,884 $-73,116 -2.2% 2,150 $3,325,000 $3,251,884 1
33 11 11 - Dream House Uni. $2,509,000 $2,465,220 $-43,780 -1.7% 2,172 $18,428,800 $18,384,590 3
34 4 4 - The Ides of March Sony $7,500,000 $7,108,846 $-391,154 -5.2% 2,199 $22,154,000 $21,763,235 2
35 7 7 - 50/50 Sum. $4,315,000 $4,260,087 $-54,913 -1.3% 2,391 $24,334,000 $24,279,152 3
36 6 6 - Moneyball Sony $5,500,000 $5,456,730 $-43,270 -0.8% 2,840 $57,712,000 $57,668,988 4
37 3 3 - The Thing (2011) Uni. $8,700,000 $8,493,665 $-206,335 -2.4% 2,996 $8,700,000 $8,493,665 1
38 5 5 - Dolphin Tale WB $6,345,000 $6,233,185 $-111,815 -1.8% 3,286 $58,672,000 $58,560,166 4
39 1 1 - Real Steel BV $16,304,000 $16,291,655 $-12,345 -0.1% 3,440 $51,744,000 $51,731,456 2
40 2 2 - Footloose (2011) Par. $16,100,000 $15,556,113 $-543,887 -3.4% 3,549 $16,100,000 $15,556,113 1
TOTALS:$87,013,200$85,449,006$-1,564,194-1.8%38,611 
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* Production Budget in millions. On average, studios earn around 55 percent of the final gross.

Note: Studio Estimates are the estimated weekend grosses that each distributor makes for its own movies on Sunday mornings—based on grosses for Friday and Saturday plus a projection for Sunday. This chart view shows how accurate the studios were.



Remakes Can't Retire 'Real Steel'...

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