Weekend Report: 'Deathly' Marks Liveliest 'Harry Potter' Debut Yet
by Brandon Gray
Harry Potter and the Deathly Hallows Part 1
November 22, 2010
In its seventh installment, Harry Potter was as potent as ever, whipping up the all-time sixth biggest-grossing opening weekend and a new franchise high. The overall weekend box office, though, paled in comparison to the same period last year (down 25 percent), which featured the one-two punch of The Twilight Saga: New Moon and The Blind Side.
In terms of estimated attendance, Deathly Hallows Part 1's start came in slightly behind the first movie, Harry Potter and the Sorcerer's Stone, and Goblet of Fire. While some may be disappointed that Deathly Hallows Part 1 didn't break any major records nor open much more strongly than its predecessors, it's important to remember that it's the seventh movie in the franchise yet still pulled in blockbuster numbers. It's the first part of the finale, in an unprecedented move of adapting the last book into two movies (which Twilight will copy with the Breaking Dawn movies). It amounted to a delay in what was already a slow build-up to Harry Potter's final battle with Lord Voldemort, and Potter's fans know the good stuff doesn't come until Part 2.
Included in Deathly Hallows Part 1's weekend gross was the $24 million it made in its midnight/early Friday opening, which was the third biggest-grossing ever behind Eclipse and New Moon. Anticipation was so high that the Deathly Hallows Part 1's $61.7 million full Friday accounted for 49 percent of the weekend gross, charting as the fifth-largest Friday share of a weekend on record, though it wasn't as front-loaded as New Moon (51 percent). Deathly Hallows Part 1 also played at a record number of IMAX venues (239), and they contributed $11.8 million, setting a new opening weekend benchmark for the format.
Distributor Warner Bros.' exit polling indicated that 57 percent of Deathly Hallows Part 1's audience was female and 56 percent under 25 years old, which was close to the last movie.
Also opening was The Next Three Days, but the thriller was a bust, making $6.5 million on close to 2,700 screens at 2,564 locations. That was on the low end of the genre, doing less than half the business of star Russell Crowe's last thriller, State of Play. Demographically, Next Three Days' audience was 83 percent aged 25 years and older and 55 percent female, according to distributor Lionsgate.
Megamind took a hit opposite Harry Potter, but the damage wasn't as extreme as when Chicken Little was struck by Goblet of Fire. Megamind slipped 45 percent to $16 million, lifting its total to $109.3 million in 17 days. However, the disparity between Megamind and Despicable Me only grew. The latter had made $161.3 million by day 17.
Due Date fell 42 percent to $8.9 million for a $72.4 million tally in 17 days. Morning Glory didn't perk up in its second weekend, tumbling 43 percent to $5.2 million for a $19.8 million sum in 12 days. Skyline crashed and burned in its second weekend, depleting by 70 percent to $3.6 million. The drop was worse than The Fourth Kind's last November, and the total climbed to a listless $17.8 million in ten days.