July 6-8, 2001
(Grosses in millions)
Rank
|
Title
|
Weekend
Gross
|
Theater
Count
|
Territory
Count
|
Total
Gross
|
1
|
Shrek |
$17.1
|
2,772
|
18
|
$47.1
|
2
|
Lara
Croft: Tomb Raider |
$12.2
|
2,106
|
17
|
$41.0
|
3
|
Pearl
Harbor |
$10.7
|
4,039
|
34
|
$130.1
|
4
|
A.I.
Artificial Intelligence |
$6.6
|
526
|
1
|
$25.2
|
5
|
The
Mummy Returns |
$3.8
|
1,862
|
24
|
$197.1
|
Around
the World Round Up
by Kenan
Bresnan
Repeating the previous
weekend, A.I.: Artificial
Intelligence lead Japan while Pearl
Harbor took almost a record
amount a previews. Lara Croft:
Tomb Raider plowed into the
United Kingdom stealing Shrek's spot
which is smashing animated records left
and right. Opening on the same weekend as
in the States, Cats & Dogs debuted
in Taiwan to surprising numbers.
In Japan, Steven
Spielberg's A.I. earned
$6.5 million just in its sophomore
session on 526 screens, abating just 21%,
excluding sneaks, selling 545,444
tickets. That stands as an industry
record in Yen, Japan's local currency,
surpassing the second weekends of Mission:
Impossible 2 by 22%, Jurassic
Park by 23%, and Star
Wars: Episode I -- The Phantom Menace by
24%. It definitely won't be a Titanic
which actually improved its
second weekend tally. Its nine-day tally
is $25.1 million.
Pearl Harbor clocked
123,000 sneaks on Saturday, registering
$1.6 million from 389 screens, eclipsing Armageddon's
previews by 139% to rank as the
market's fourth-highest in history,
behind A.I., The
Phantom Menace, and Mission:
Impossible 2. Unlike Australia,
Japanese previews tell us that Pearl
Harbor is going to have a huge
opening on Saturday.
The WWII epic raked in
$10.7 million overseas, pushing its total
to $130.1 million. Michael Bay's pic
captured $1.5 million on 282 in Spain, 4%
up on Armageddon and 22%
better than Saving Private Ryan.
Pearl Harbor set
opening records for BVI in Sweden
fetching $820,000 on 105 (the third-best
for opening for a U.S. title there behind
Independence Day and The
Phantom Menace, Norway
accumulating $490,000 on 79, Poland
grabbing pole-position with $425,000 on
100, and Portugal taking $280,000 on 73,
beating Gone in Sixty Seconds.
Lara Croft:
Tomb Raider seized pole position
in the United Kingdom with $5.3 million
on 448, including previews, besting Gladiator's
entry by 8%. The actioner
continued to run by the domestic result,
falling by 48% in France, scoring $7
million 12 days and 45% in Germany
pocketing an estimated $6.5 million in 11
days. Simon West's pic totaled $11
million from 16 markets, propelling its
cume to $41 million, excluding
contributions from Latin America.
This weekend's front
runner was DreamWorks' Shrek,
rustling up $17.1 million from roughly
3,000 theaters in 20 territories,
catapulting is cume to $47.1 million. The
CGI flick took $1.9 million in three days
from South Korea, making it the all-time
high for an animated entry and a local
DreamWorks' record. It also commanded
France with $3.2 million on 690 and
Germany at $2.7 million on 669,
comfortably ahead of Toy Story 2
and A Bug's Life in both
territories, but below Dinsoaur and
Tarzan. Looking on the
bright side, Shrek eased
by just 16% in the UK and 3% in Australia
totaling $13.4 million and $9.2 million,
respectively.
In Hong Kong, the
green ogre devoured a superb $734,000,
considering there was a typhoon which
caused havoc last Thursday and Friday.
Atlantis: The
Lost Empire captivated Mexico
with $2 million on 400, slightly ahead of
A Bug's Life. In a
surprising showing, Cats &
Dogs stole $777,000 on 56 in
Taiwan, beating last week's Shrek
opening. Dr. Dolittle 2 entered
Australia in third place, ringing up a
good $1 million on 271 plus $431,000 form
sneaks, but was bitten by Cats
& Dogs in Taiwan, on taking
$181,000 on 49 screens.
Swordfish continued
its Asian run grabbing a nifty $399,000
on 70 in Thailand and $598,000 on 75 in
South Korea, and dipped by a very good,
for an action film, 26% in Oz, fetching a
smart $3.5 million in 11 days.
Ivan Reitman's Evolution
took the top spot in Italy with
$390,000 on 276, where many theaters are
closed for the summer, but could only
manage third spot in The Netherlands
behind Pearl Harbor's sophomore
session and Bridget Jones's
Diary's fifth weekend.
Moulin Rouge danced
into Singapore with an OK $243,000 on 25.
The Mummy Returns is
poised to become the first film on 2001
to hit the $200 million mark
internationally. It currently has
$197,062,366 as of Monday.
Next week, a plethora
of mild-performing films shoot off in
Germany along with Original Sin's
first outing, which hasn't been
pushed back after the U.S. halted the
opening until August. Also in the United
Kingdom mild-performing films debut
including Pokemon 3: The Movie,
Recess: School's Out, Sweet
November, and Whipped.
Evolution and Someone
Like You battle it out in
Australia. In France, Driven leads
the screen count with 383, followed by The
Wedding Planner (358), and Original
Sin (217). Joe Dirt could
on manage an opening screen count of 5.
And of course Pearl Harbor opens
in Japan along with The Emperor's
New Groove's final stop.
Look for Pearl
Harbor to come in around $9-10
million in Japan, including sneaks, with The
Emperor's New Groove in third
behind A.I.: Artificial
Intelligence's third week. In
France Shrek shouldn't
fall too much, but it's too early to tell
how the openers will do. Otherwise all
the films leading the countries should
continue to lead their respective
countries expect the United Kingdom,
where Shrek should
overthrown Lara Croft: Tomb
Raider.
These are my predicted
foreign totals for the selected films:
Pearl Harbor: $201
million
The Mummy
Returns: $205 million
Lara Croft:
Tomb Raider: $141 million
Swordfish: $85
million
Shrek: $259
million
Miss
Congeniality: $110 million
Bridget
Jones's Diary: $103 million
Moulin Rouge: $82
million
A.I.:
Artificial Intelligence: $311
million
Dr. Dolittle 2:
$91 million
Cats &
Dogs: $110 million
*Numbers are changed
whenever a market produces unexpected
numbers.
Check out the France
Forecast
|