Dates | Top 10 Gross | %± LW | Overall Gross | %± LW | Releases | #1 Release
| Genre
| Budget
| Running Time
| Week | Long Weekend
|
---|
Dec 30-Jan 1, 2012 | - | - | - | - | - | - | - | - | - | 52 | false |
Sep 9-11 | $4,430,695 | +27% | $4,457,941 | +25.1% | 15 | Warriors of the Rainbow: Seediq Bale I | - | - | - | 36 | false |
Sep 2-4 | $3,488,610 | -29.9% | $3,562,896 | -30.6% | 20 | You Are the Apple of My Eye | - | - | - | 35 | false |
Aug 26-28 | $4,979,969 | -8.7% | $5,133,735 | -6% | 21 | You Are the Apple of My Eye | - | - | - | 34 | false |
Aug 19-21 | $5,457,455 | +100.5% | $5,462,440 | +100.1% | 16 | You Are the Apple of My Eye | - | - | - | 33 | false |
Aug 12-14 | $2,721,568 | +0.4% | $2,730,427 | <0.1% | 19 | Rise of the Planet of the Apes | - | - | - | 32 | false |
Aug 5-7 | $2,709,686 | -4.2% | $2,729,381 | -3.7% | 19 | Rise of the Planet of the Apes | - | - | - | 31 | false |
Jul 29-31 | $2,827,238 | -5.2% | $2,834,312 | -5.2% | 22 | Captain America: The First Avenger | - | - | - | 30 | false |
Jul 22-24 | $2,981,739 | -26.2% | $2,988,333 | -26.1% | 21 | Harry Potter and the Deathly Hallows: Part 2 | - | - | - | 29 | false |
Jul 15-17 | $4,042,238 | +4.1% | $4,044,016 | +4% | 20 | Harry Potter and the Deathly Hallows: Part 2 | - | - | - | 28 | false |
Jul 8-10 | $3,882,874 | -17.4% | $3,887,373 | -17.4% | 20 | Transformers: Dark of the Moon | - | - | - | 27 | false |
Jul 1-3 | $4,699,848 | +388% | $4,706,630 | +373.5% | 19 | Transformers: Dark of the Moon | - | - | - | 26 | false |
Jun 24-26 | $963,045 | -37% | $994,044 | -35.8% | 20 | Green Lantern | - | - | - | 25 | false |
Jun 17-19 | $1,529,208 | -30.4% | $1,549,005 | -29.9% | 16 | Green Lantern | - | - | - | 24 | false |
Jun 10-12 | $2,197,259 | -24.7% | $2,209,177 | -24.4% | 15 | Super 8 | - | - | - | 23 | false |
Jun 3-5 | $2,918,612 | +1.2% | $2,921,921 | +1% | 13 | X-Men: First Class | - | - | - | 22 | false |
May 27-29 | $2,884,456 | -17.4% | $2,892,351 | -17.4% | 14 | Pirates of the Caribbean: On Stranger Tides | - | - | - | 21 | false |
May 20-22 | $3,490,521 | +26.1% | $3,501,685 | +26.1% | 14 | Pirates of the Caribbean: On Stranger Tides | - | - | - | 20 | false |
May 13-15 | $2,768,175 | -7.6% | $2,777,994 | -7.6% | 16 | Fast Five | - | - | - | 19 | false |
May 6-8 | $2,996,634 | +34.1% | $3,006,224 | +32.6% | 18 | Fast Five | - | - | - | 18 | false |
Apr 29-May 1 | $2,233,807 | +108.9% | $2,266,708 | +98.2% | 19 | Thor | - | - | - | 17 | false |
Apr 22-24 | $1,069,452 | -17.3% | $1,143,589 | -15.2% | 24 | 3-D Sex and Zen: Extreme Ecstasy | - | - | - | 16 | false |
Apr 15-17 | $1,292,465 | -12.9% | $1,349,317 | -12.5% | 24 | 3-D Sex and Zen: Extreme Ecstasy | - | - | - | 15 | false |
Apr 8-10 | $1,484,239 | -7.9% | $1,542,413 | -8.5% | 20 | Limitless | - | - | - | 14 | false |
Apr 1-3 | $1,611,555 | +85.8% | $1,685,482 | +77.1% | 24 | Source Code | - | - | - | 13 | false |
Mar 25-27 | $867,180 | -21.7% | $951,490 | -16.9% | 22 | Sucker Punch | - | - | - | 12 | false |
Mar 18-20 | $1,107,348 | -12.9% | $1,145,104 | -11.9% | 19 | The Adjustment Bureau | - | - | - | 11 | false |
Mar 11-13 | $1,271,820 | +30% | $1,300,444 | +29.7% | 17 | Battle Los Angeles | - | - | - | 10 | false |
Mar 4-6 | $978,679 | -14.8% | $1,002,458 | -16% | 18 | I Am Number Four | - | - | - | 9 | false |
Feb 25-27 | $1,149,125 | +62.4% | $1,193,818 | +61% | 24 | Sanctum | - | - | - | 8 | false |
Feb 18-20 | $707,436 | -29.4% | $741,284 | -28.2% | 28 | No Strings Attached | - | - | - | 7 | false |
Feb 11-13 | $1,002,068 | -32.2% | $1,032,335 | -30.3% | 21 | No Strings Attached | - | - | - | 6 | false |
Feb 4-6 | $1,478,238 | +20.9% | $1,480,869 | +17.7% | 11 | The Green Hornet | - | - | - | 5 | false |
Jan 28-30 | $1,222,373 | +67.7% | $1,258,570 | +59.2% | 26 | The Green Hornet | - | - | - | 4 | false |
Jan 21-23 | $728,792 | -1.6% | $790,717 | +1.8% | 26 | Burlesque | - | - | - | 3 | false |
Jan 14-16 | $740,908 | -9.5% | $776,961 | -10.1% | 27 | Burlesque | - | - | - | 2 | false |
Jan 7-9 | $818,751 | -31.2% | $864,211 | -31.9% | 25 | Burlesque | - | - | - | 1 | false |