October 26 Updated Thursday afternoons
<< Prev. Week < Last Year | View Index | Next Year > Next Week >> | Rank | LW | Title | Distributor | Theater Count | Change | % Change | Est. Screens | Change | Est. Shows | Change | Week # | 119 |
- |
Orchestra of Exiles |
First Run |
1 |
- |
- |
- |
- |
- |
- |
1 |
117 |
- |
Long Shot: The Kevin Laue Story |
Dutchmen Films |
1 |
- |
- |
- |
- |
- |
- |
1 |
116 |
- |
The Last Fall |
Transparent/Outerstratosphere |
1 |
- |
- |
- |
- |
- |
- |
1 |
114 |
- |
In Over My Head |
Slater Brothers |
1 |
- |
- |
- |
- |
- |
- |
1 |
111 |
- |
The Ghastly Love of Johnny X |
Strand |
1 |
- |
- |
- |
- |
- |
- |
1 |
107 |
- |
El Milagro De Marcelino Pan |
Gigapix Releasing |
1 |
- |
- |
- |
- |
- |
- |
1 |
100 |
- |
The Loneliest Planet |
IFC |
2 |
- |
- |
- |
- |
- |
- |
1 |
93 |
- |
District of Corruption |
Rocky Mountain Pictures |
3 |
- |
- |
- |
- |
- |
- |
1 |
70 |
- |
Bad Blood the Hunger |
Gravity Arch |
10 |
- |
- |
- |
- |
- |
- |
1 |
62 |
- |
Pusher (2012) |
Radius-TWC |
15 |
- |
- |
- |
- |
- |
- |
1 |
46 |
- |
The Other Son |
Cohen Media Group |
41 |
- |
- |
- |
- |
- |
- |
1 |
38 |
- |
Chakravyuh |
Eros |
79 |
- |
- |
- |
- |
- |
- |
1 |
11 |
- |
Chasing Mavericks |
Fox |
2,002 |
- |
- |
2,002 |
- |
26,400 |
- |
1 |
10 |
- |
Cloud Atlas |
Warner Bros. |
2,008 |
- |
- |
2,400 |
- |
23,200 |
- |
1 |
5 |
- |
Silent Hill: Revelation 3D |
Open Road Films |
2,933 |
- |
- |
4,800 |
- |
45,500 |
- |
1 |
3 |
- |
Fun Size |
Paramount |
3,014 |
- |
- |
3,100 |
- |
41,600 |
- |
1 |
97 |
99 |
Holy Motors |
Indomina Media |
2 |
- |
- |
- |
- |
- |
- |
2 |
90 |
86 |
Hating Breitbart |
Rocky Mountain Pictures |
4 |
- |
- |
4 |
- |
19 |
+1 |
2 |
80 |
101 |
Nobody Walks |
Magnolia |
7 |
+5 |
+250.0% |
7 |
+5 |
27 |
+18 |
2 |
79 |
69 |
All Together |
Kino Lorber |
7 |
-3 |
-30.0% |
- |
- |
- |
- |
2 |
74 |
95 |
Brooklyn Castle |
Producers Distribution Agency |
8 |
+6 |
+300.0% |
- |
- |
- |
- |
2 |
72 |
91 |
The Flat |
IFC |
9 |
+6 |
+200.0% |
- |
- |
- |
- |
2 |
57 |
88 |
The Sessions |
Fox Searchlight |
20 |
+16 |
+400.0% |
33 |
+23 |
541 |
+421 |
2 |
52 |
48 |
Tai Chi Zero |
Variance Films |
23 |
-8 |
-25.8% |
- |
- |
- |
- |
2 |
34 |
36 |
Student of the Year |
Eros |
106 |
- |
- |
- |
- |
- |
- |
2 |
7 |
8 |
Alex Cross |
Lionsgate/Summit |
2,541 |
+2 |
+0.1% |
2,800 |
-200 |
35,600 |
-5,900 |
2 |
1 |
2 |
Paranormal Activity 4 |
Paramount |
3,412 |
- |
- |
4,600 |
-400 |
63,100 |
-9,800 |
2 |
110 |
106 |
Gayby |
The Film Collaborative |
1 |
- |
- |
1 |
- |
12 |
+9 |
3 |
91 |
75 |
Least Among Saints |
Brainstorm Media |
4 |
-4 |
-50.0% |
- |
- |
- |
- |
3 |
81 |
78 |
The Big Picture (2012) |
MPI Media Group |
6 |
- |
- |
- |
- |
- |
- |
3 |
77 |
45 |
War of the Buttons (2012) |
Weinstein Company |
8 |
-27 |
-77.1% |
- |
- |
- |
- |
3 |
65 |
77 |
Simon and the Oaks |
The Film Arcade |
14 |
+7 |
+100.0% |
- |
- |
- |
- |
3 |
55 |
55 |
Smashed |
Sony Classics |
21 |
+1 |
+5.0% |
21 |
+1 |
95 |
-9 |
3 |
53 |
57 |
The Thieves |
Well Go USA |
22 |
+3 |
+15.8% |
- |
- |
- |
- |
3 |
50 |
54 |
Middle of Nowhere (2012) |
AFFRM |
24 |
+3 |
+14.3% |
- |
- |
- |
- |
3 |
29 |
12 |
Atlas Shrugged: Part II |
Atlas Distribution |
147 |
-798 |
-84.4% |
- |
- |
- |
- |
3 |
15 |
11 |
Seven Psychopaths |
CBS Films |
1,003 |
-477 |
-32.2% |
1,003 |
-497 |
9,500 |
-9,900 |
3 |
9 |
7 |
Sinister |
Lionsgate/Summit |
2,347 |
-195 |
-7.7% |
2,400 |
-300 |
28,400 |
-7,600 |
3 |
8 |
4 |
Here Comes the Boom |
Sony / Columbia |
2,491 |
-523 |
-17.4% |
2,500 |
-800 |
31,900 |
-11,300 |
3 |
6 |
3 |
Argo |
Warner Bros. |
2,855 |
-392 |
-12.1% |
3,200 |
-500 |
38,000 |
-6,700 |
3 |
95 |
118 |
Trade of Innocents |
Monterey Media, Inc. |
3 |
+2 |
+200.0% |
- |
- |
- |
- |
4 |
94 |
- |
The Revisionaries |
Kino Lorber |
3 |
- |
- |
- |
- |
- |
- |
4 |
89 |
- |
Escape Fire |
Roadside Attractions |
4 |
- |
- |
- |
- |
- |
- |
4 |
86 |
76 |
Sister (2012) |
Adopt Films |
5 |
-3 |
-37.5% |
- |
- |
- |
- |
4 |
85 |
62 |
The Oranges |
ATO Pictures |
5 |
-10 |
-66.7% |
- |
- |
- |
- |
4 |
71 |
80 |
Wake in Fright |
Drafthouse |
10 |
+4 |
+66.7% |
- |
- |
- |
- |
4 |
67 |
68 |
Wuthering Heights (2012) |
Oscilloscope Pictures |
12 |
+1 |
+9.1% |
- |
- |
- |
- |
4 |
66 |
87 |
The House I Live In |
Abramorama |
12 |
+8 |
+200.0% |
- |
- |
- |
- |
4 |
58 |
59 |
V/H/S |
Magnolia |
19 |
+3 |
+18.8% |
- |
- |
- |
- |
4 |
40 |
40 |
The Paperboy |
Millennium Ent. |
76 |
+2 |
+2.7% |
- |
- |
- |
- |
4 |
36 |
38 |
English Vinglish |
Eros |
88 |
- |
- |
- |
- |
- |
- |
4 |
13 |
9 |
Frankenweenie |
Buena Vista |
1,738 |
-624 |
-26.4% |
1,738 |
-662 |
14,300 |
-7,200 |
4 |
4 |
1 |
Taken 2 |
Fox |
2,995 |
-494 |
-14.2% |
3,200 |
-1,000 |
42,200 |
-14,100 |
4 |
98 |
109 |
The Iran Job |
Film Movement |
2 |
+1 |
+100.0% |
- |
- |
- |
- |
5 |
96 |
85 |
Bringing Up Bobby |
Monterey Media, Inc. |
2 |
-2 |
-50.0% |
- |
- |
- |
- |
5 |
92 |
89 |
The Waiting Room |
International Film Circuit |
4 |
- |
- |
4 |
- |
15 |
- |
5 |
64 |
65 |
The Other Dream Team |
The Film Arcade |
14 |
+1 |
+7.7% |
14 |
+1 |
140 |
-22 |
5 |
43 |
27 |
Won't Back Down |
Fox |
65 |
-103 |
-61.3% |
70 |
-100 |
530 |
-550 |
5 |
14 |
10 |
Looper |
TriStar |
1,189 |
-1,034 |
-46.5% |
1,200 |
-1,100 |
11,000 |
-12,300 |
5 |
12 |
6 |
Pitch Perfect |
Universal |
1,999 |
-661 |
-24.8% |
2,000 |
-700 |
22,300 |
-10,400 |
5 |
2 |
5 |
Hotel Transylvania |
Sony / Columbia |
3,276 |
+262 |
+8.7% |
5,000 |
- |
44,100 |
+100 |
5 |
113 |
100 |
Husbands in Goa |
UTV Communications |
1 |
-1 |
-50.0% |
- |
- |
- |
- |
6 |
73 |
64 |
How to Survive a Plague |
IFC |
9 |
-5 |
-35.7% |
9 |
-5 |
16 |
-24 |
6 |
49 |
52 |
Diana Vreeland: The Eye Has to Travel |
Samuel Goldwyn |
26 |
-1 |
-3.7% |
30 |
+3 |
100 |
-13 |
6 |
41 |
28 |
Dredd |
Lionsgate |
72 |
-88 |
-55.0% |
80 |
-130 |
600 |
-1,390 |
6 |
20 |
16 |
End of Watch |
Open Road Films |
290 |
-454 |
-61.0% |
290 |
-460 |
2,630 |
-3,830 |
6 |
18 |
14 |
House at the End of The Street |
Relativity |
302 |
-444 |
-59.5% |
302 |
-448 |
2,380 |
-3,740 |
6 |
17 |
13 |
Trouble with the Curve |
Warner Bros. |
420 |
-505 |
-54.6% |
420 |
-510 |
3,450 |
-4,400 |
6 |
16 |
15 |
The Perks of Being a Wallflower |
Lionsgate/Summit |
736 |
-9 |
-1.2% |
740 |
-20 |
9,260 |
-1,090 |
6 |
121 |
- |
El Velador (The Night Watchman) |
Icarus Films |
|
- |
- |
- |
- |
- |
- |
7 |
120 |
116 |
Sushi: The Global Catch |
Alive Mind Cinema |
1 |
- |
- |
1 |
- |
3 |
- |
7 |
104 |
70 |
Barfi! |
UTV Communications |
1 |
-9 |
-90.0% |
1 |
-9 |
- |
- |
7 |
54 |
58 |
Liberal Arts |
IFC |
21 |
+3 |
+16.7% |
21 |
+1 |
54 |
+4 |
7 |
39 |
24 |
Finding Nemo (3D) |
Buena Vista |
78 |
-105 |
-57.4% |
80 |
-103 |
230 |
-330 |
7 |
30 |
25 |
Arbitrage |
Roadside Attractions |
125 |
-44 |
-26.0% |
130 |
-40 |
1,180 |
-510 |
7 |
25 |
29 |
Resident Evil: Retribution |
Sony / Screen Gems |
198 |
+40 |
+25.3% |
250 |
+60 |
2,180 |
+840 |
7 |
24 |
17 |
The Master |
Weinstein Company |
201 |
-211 |
-51.2% |
210 |
-210 |
1,930 |
-2,520 |
7 |
112 |
107 |
Girl Model |
First Run |
1 |
- |
- |
1 |
- |
1 |
-1 |
8 |
108 |
97 |
The Eye of the Storm |
Sycamore |
1 |
-1 |
-50.0% |
- |
- |
- |
- |
8 |
84 |
73 |
Keep the Lights On |
Music Box Films |
5 |
-4 |
-44.4% |
5 |
-4 |
23 |
-5 |
8 |
118 |
- |
Meet the Fokkens |
Kino Lorber |
1 |
- |
- |
1 |
- |
2 |
- |
9 |
37 |
32 |
The Possession |
Lionsgate |
82 |
-51 |
-38.3% |
82 |
-51 |
670 |
-480 |
9 |
35 |
23 |
Lawless |
Weinstein Company |
96 |
-88 |
-47.8% |
100 |
-84 |
600 |
-1,170 |
9 |
106 |
- |
Death by China |
Area23a |
1 |
- |
- |
1 |
- |
4 |
- |
10 |
99 |
82 |
Little White Lies |
MPI Media Group |
2 |
-3 |
-60.0% |
- |
- |
- |
- |
10 |
82 |
79 |
Somewhere Between |
Long Shot Factory |
6 |
- |
- |
10 |
+4 |
20 |
-2 |
10 |
47 |
44 |
Sleepwalk with Me |
IFC |
32 |
-13 |
-28.9% |
32 |
-18 |
80 |
-20 |
10 |
42 |
41 |
Samsara |
Oscilloscope Pictures |
67 |
-3 |
-4.3% |
70 |
- |
170 |
-40 |
10 |
75 |
67 |
Compliance |
Magnolia |
8 |
-3 |
-27.3% |
8 |
-3 |
15 |
-15 |
11 |
68 |
72 |
Chicken with Plums |
Sony Classics |
11 |
+1 |
+10.0% |
11 |
+1 |
30 |
- |
11 |
51 |
46 |
Robot & Frank |
Samuel Goldwyn |
24 |
-10 |
-29.4% |
24 |
-10 |
40 |
-40 |
11 |
32 |
22 |
The Odd Life of Timothy Green |
Buena Vista |
115 |
-79 |
-40.7% |
120 |
-74 |
340 |
-150 |
11 |
28 |
37 |
The Expendables 2 |
Lionsgate |
178 |
+86 |
+93.5% |
180 |
+88 |
2,020 |
+1,220 |
11 |
21 |
26 |
ParaNorman |
Focus Features |
280 |
+112 |
+66.7% |
390 |
+210 |
2,950 |
+1,480 |
11 |
78 |
81 |
2 Days in New York |
Magnolia |
7 |
+2 |
+40.0% |
7 |
-3 |
14 |
+4 |
12 |
27 |
20 |
The Bourne Legacy |
Universal |
191 |
-41 |
-17.7% |
191 |
-49 |
1,560 |
-460 |
12 |
23 |
39 |
The Campaign |
Warner Bros. |
222 |
+148 |
+200.0% |
230 |
+156 |
2,510 |
+1,840 |
12 |
103 |
- |
You've Been Trumped |
International Film Circuit |
2 |
- |
- |
2 |
- |
- |
- |
13 |
60 |
60 |
Celeste and Jesse Forever |
Sony Classics |
15 |
- |
- |
20 |
- |
40 |
+20 |
13 |
59 |
- |
The Imposter |
Indomina Media |
16 |
- |
- |
20 |
- |
40 |
- |
13 |
31 |
30 |
Diary of a Wimpy Kid: Dog Days |
Fox |
116 |
-33 |
-22.1% |
120 |
-30 |
1,040 |
-450 |
13 |
33 |
31 |
Searching for Sugar Man |
Sony Classics |
114 |
-23 |
-16.8% |
114 |
-26 |
330 |
-110 |
14 |
83 |
74 |
The Well-Digger's Daughter |
Kino Lorber |
6 |
-3 |
-33.3% |
- |
- |
- |
- |
15 |
76 |
66 |
The Queen of Versailles |
Magnolia |
8 |
-5 |
-38.5% |
10 |
-3 |
20 |
-15 |
15 |
19 |
18 |
The Dark Knight Rises |
Warner Bros. |
291 |
-54 |
-15.7% |
300 |
-70 |
2,160 |
-640 |
15 |
26 |
21 |
Ice Age: Continental Drift |
Fox |
192 |
-30 |
-13.5% |
210 |
-80 |
1,860 |
-370 |
16 |
102 |
103 |
Unforgivable |
Strand |
2 |
- |
- |
2 |
- |
- |
- |
18 |
56 |
51 |
Beasts of the Southern Wild |
Fox Searchlight |
20 |
-8 |
-28.6% |
20 |
-10 |
90 |
-50 |
18 |
115 |
110 |
Kumare |
Kino Lorber |
1 |
- |
- |
1 |
- |
- |
- |
19 |
69 |
47 |
To Rome with Love |
Sony Classics |
11 |
-21 |
-65.6% |
11 |
-21 |
30 |
-60 |
19 |
22 |
19 |
Brave |
Buena Vista |
257 |
-20 |
-7.2% |
310 |
-50 |
1,040 |
-200 |
19 |
105 |
- |
The Color Wheel |
APD/Cinema Conservancy |
1 |
- |
- |
- |
- |
- |
- |
20 |
61 |
50 |
Moonrise Kingdom |
Focus Features |
15 |
-14 |
-48.3% |
20 |
-10 |
90 |
-90 |
23 |
45 |
42 |
The Intouchables (U.S.-only) |
Weinstein Company |
48 |
-12 |
-20.0% |
50 |
-10 |
340 |
-140 |
23 |
44 |
43 |
To the Arctic (IMAX) |
Warner Bros. |
52 |
- |
- |
52 |
- |
350 |
+10 |
28 |
48 |
49 |
Born to Be Wild (IMAX) |
Warner Bros. |
30 |
- |
- |
30 |
- |
200 |
-10 |
82 |
63 |
61 |
Hubble 3D |
Warner Bros. |
14 |
-1 |
-6.7% |
14 |
- |
10 |
- |
137 |
87 |
84 |
Under the Sea 3D |
Warner Bros. |
5 |
- |
- |
10 |
- |
10 |
- |
194 |
88 |
90 |
Deep Sea 3D (IMAX) |
Warner Bros. |
4 |
+1 |
+33.3% |
4 |
- |
10 |
- |
348 |
101 |
114 |
Space Station 3-D (IMAX) |
IMAX |
2 |
+1 |
+100.0% |
2 |
- |
- |
- |
550 |
109 |
105 |
Galapagos (IMAX) |
IMAX |
1 |
- |
- |
1 |
- |
1 |
- |
676 |
| << Prev. Week < Last Year | View Index | Next Year > Next Week >> |
|